Author: Zhao Zhenguo

Lonely Flowers on Valentine’s Day

leica summicron 50 f2 + leica m9

Lonely Flowers on Valentine’s Day

I never realized how beautiful colors could be until Valentine’s Day.

This photo was taken on Valentine’s Day, where mobile vendors were selling flowers everywhere. The flowers were the only things that stood out in the gray winter landscape of the north.

However, the photo does not capture the moment when the lover sent the flowers, making it less exciting.

I believe this is a good photo because it captures the essence of Valentine’s Day. The image depicts both couples and a lone figure, which is a common occurrence. It is possible that the bouquet of flowers was a gift to herself rather than from someone else.

It is not my fault that I am sloppy.

leica summilux 35mm f1.4 pre-asph + leica m2

It is not my fault that I am sloppy.

From a distance, taking blurry pictures can be beautiful and emotional. From a distance, everything is beautiful.

Most photographers are rigorous in their pictures. While I appreciate rigor and seriousness, my own photography is not as strict. I forgive myself for sloppy composition, as it allows me to truly enjoy the art of photography.

Local photography is more about mindset than location.

leica summilux 35mm f1.4 pre-asph + leica m2

Local photography is more about mindset than location.

When you lift your camera, you cease to be a local.

As a street photographer, I am frequently asked if I have visited the Grand Canyon or Nepal. Despite the assumption that I must travel extensively to capture my shots, I consider myself a local photographer. People are often confused by this term and wonder how I can take interesting photos without traveling far.

Perhaps they are overlooking the fact that flowers bloom in abundance both locally and abroad during the spring season. Spring is everywhere as long as it’s enjoyable. Wherever there is photography, there are moments. Now that is local photography.

LEICA 21mm f/3.4 LEITZ SUPER-ANGULON REVIEW

LEICA 21mm f/3.4 LEITZ SUPER-ANGULON

Schneider developed the Leica Super-Angulon 21mm, which Leitz later brought to market. It can focus very close (0.4m) and produces a bokeh. This lens is sharp and produces beautiful images.

Not suitable for landscapes

In general, 21mm lenses can shoot a wide range of subjects and require a 21mm lenses can shoot many subjects, but you need to know what you’re doing. Otherwise, the pictures will be messy.
This 21mm lens isn’t good for architecture or landscapes. It’s great for close-ups and portraits. This lens makes people look taller and more impressive. It also makes them look three-dimensional.

Jean-loup Sieff used this lens for portraits.

Digital Leica compatibility

This lens is compatible with Leica M digital cameras, but there might be some issues with color shift around edges and corners. It’s also prone to flare on digital cameras and may overexpose on the Leica M8 and M9. Despite these issues, this lens still produces great photos, especially when converting color photos to black and white.

F4.0 vs F3.4

The f/3.4 Super-Angulon lens has better optical quality than the f/4.0 version.

Voigtlander 21mm

The Voigtländer 21mm lens is a more affordable option than the Leica Super-Angulon. Some Voigtländer users might eventually be drawn to the classic design and nostalgic appeal of the Super-Angulon lens.

more

Filter: 48mm UV, VII.
Hood: 12501
Front cover: 14102
Rear cover: 14042
Stock: less than 6000.
Focus lever: metal crescent focus lever.
Minimum focusing distance: 0.4m
leica m2 + leica super-angulon 21 3.4
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON
LEICA 21mm f/3.4 LEITZ SUPER-ANGULON

Is street photography lazy or hardworking?

leica summilux 35mm f1.4 pre-asph + leica m2

Is street photography lazy or hardworking?

If changing your style of photography is diligence, I’m more like laziness.

It is said that the key to street photography is not skill, but persistence. I don’t like to stick to one thing, but then again street photography never stops, photography for me is more like laziness that doesn’t want to change.

Looking for natural moments among strangers

Looking for natural moments among strangers

Typically, we take photos to share with family and friends, creating a sense of familiarity. However, these photos can often appear stiff and unnatural.

leica summilux 35mm f1.4 pre-asph

The photographer and the viewer are both strangers, which creates a sense of unfamiliarity. Street photography is a unique way of life, as it involves constantly interacting with strangers. On the other hand, street photography is free and captures strangers in candid moments. It doesn’t matter where you go from wherever you are, what matters is to keep an unknown mindset and look for framing in the strangeness.

In fact, street photography often evokes a sense of familiarity. This may seem contradictory, but it is true.

Don’t waste every piece of film

leica summilux 35mm f1.4 pre-asph

Don’t waste every piece of film

Failure is the mother of success, but unsuccessful photos will not lead to successful ones. Each photo should give the photographer a sense of accomplishment so that it will last. Poor photos don’t lead to good ones; in most cases, they turn people into gearheads.

Unraveling the mystery of street photography

leica summilux 35mm f1.4 pre-asph

Unraveling the mystery of street photography

requires courage.

The key skill in street photography is overcoming cowardice. While it may be evident that there is no special moment to capture, it is important to press the shutter frequently to exercise both technical ability and courage. When the true ‘decisive moment’ arrives, you will be able to press the shutter with ease.

If you aspire to pursue street photography, you must work on your bravery and act promptly, or you will never achieve your goal.