Leica R lenses can be designed using M lens designs, but only for long focal lengths. This is because the last glass element of rangefinder telephoto lenses is far away from the film plane, so a reflex mirror can be placed in the middle gap, for example, for 90mm and 135mm lenses. The standard 50mm lens is at the critical point.
I believe the Summicron R50mm lens is similar in construction to the Leica rangefinder and camera Summicron-M 50mm lens. However, because there’s a reflector between the DSLR lens and the film, the R50mm lens is further away from the film plane than the M lens. So, the two lenses have different imaging styles.
Because DSLR cameras are built differently from rangefinders, R lenses usually look pretty bulky. Once the lens is attached to the camera body, the aperture is fully open as long as the shutter is not released. It’s only when you press the shutter that the camera body opens the aperture. The lever transfer mechanism in R lenses makes them a bit larger than they need to be. In fact, R lenses are more complex internally than M lenses.
The Summicron R50 E43 lens is currently available at an incredible price and has amazing quality, making it, in my opinion, the best R lens to purchase. The SLR camera can focus at close range, and the closest focusing distance of the R50 is 0.5 meters, which is much closer than the 0.7 meters of the M50.
If you’re passionate about photography, remember that your gear shouldn’t be your passion. Even if you’re a gear junkie, the goal is to take pictures, whether it’s of family, friends, or street scenes. Using the Leica R35 f/2.8 lens will help you to stop focusing on your equipment and really focus on the joy of photography.
I chose this lens because it has a close focusing distance of 0.3 meters. It’s pretty amazing, because it’s even closer than the Super Angulon 21mm f/3.4, which has a close focusing distance of 0.4 meters. As Capa said, if your photos aren’t up to scratch, it’s probably because you’re not close enough.
In 1964, the Leica R35 f/2.8 was designed for the Leicaflex. This was Leica’s first foray into the single-lens reflex market. The 35 mm focal length is the one Leica really excels at, but they didn’t release the f/2 Summaron or Summilux. Instead, they went with the f/2.8 Elmarit, which shows that Leica was initially a bit wary of the R system.
There are a few different versions of the R35 f/2.8. The first one has a S6 mount, the second one has a S7 mount, and the third one has an E55 mount. Each version has seen a few minor design changes. I’ve got the first generation R35 f/2.8, which is considered the best-made version and produces a rich image quality.
Leica M-mount 28mm lenses aren’t cheap, as they’re standard wide-angle lenses. However, the Voigtlander VM 28mm f/2 lens is really impressive in terms of quality, with rich colors and high resolution. The Leica M8 produced images that were pretty mild, but with this lens, the colors are much richer and the bokeh at f/2 is also very nice.
In general, this lens is pretty similar to a Leica lens, but in complex lighting situations with high contrast, it might produce some strange colors in the highlights or shadows. The price is pretty good for the quality of the lens. For the price, the VM 28mm f/2 is a great lens.
There are so many wonderful Leica 28mm lenses to choose from! You’ve got the 28mm f/6.3 Hekor, the 28mm f/5.6, and the Elmarit 28mm f/2.8 (v1, v2, v3, v4). There are so many different versions and lots of stories to tell! The current 28mm f/2 ASPH is the upgrade of the Elmarit 28mm f/2.8 v4, and it uses ASPH glass. It has great 3D vision, a sharp f/2 aperture, and perfect bokeh!
f/2 Bokeh
I just love the bokeh from the Summicron! It’s so easy on the eye and not at all messy. This lens is based on the design concept of modern lenses, which is really great! ASPH lenses are great for improving clarity and making bokeh nice and soft. It’s not technically part of the Leica classic lens series, but it has a really impressive optical performance! The f/2 aperture is great for shooting in low light, and the lens is really fast, so it’s super versatile!
Shortcoming
Just a quick note to let you know that the aperture ring on this lens is a little loose, so it’s easy to accidentally touch it and change the aperture without realizing it. No big deal, just thought I’d give you a heads-up! Also, the hood is a bit big, so I usually leave it off.
ZM. VM.
This is the best Leica lens on the market right now, and it’s better than all 28mm lenses from Zeiss ZM and Voigtlander VM. If you think the Summicron 28 is too expensive, a used Elmarit 28 F2.8 is a great deal.
info
Leica 28mm f/2.0 SUMMICRON-M Aspherical Lens
Focal length: 28.5mm
Aperture: f/2 to f/16
Camera Mount Type: Leica M
Angle of View: 75-degrees
The 21mm lens is the widest angle lens I’ve ever used. Wide-angle lenses can make people look a bit out of proportion. Instead of distortion, the excellent design of this lens has a perspective impact. I use it with film cameras.
Changing distance and changing style
Wide-angle lenses can create different visual and psychological effects depending on how they’re used. With a wide-angle lens, the subject appears to be farther away. A wide lens is great for creating a bit of distance between the subject and the photographer. However, a 21mm lens can also be great for close-up photos. By changing your distance, you can change your photography style.
Schneider Super Angulon
The Leica 21mm f/4 Super Angulon was designed and manufactured by Schneider. It’s got the classic Super Angulon symmetrical design you’d expect to see in a 4×5 format. This lens has great contrast and really vibrant colours. Vignetting is the biggest issue with this lens, but some people like this style.
leica 21mm f/4 super angulon
Leica 21mm f/4 Super-Angulon M – Technical Information
Brand: Leica
Country/Region of Manufacture: Germany
Focal Length Type: Fixed/Prime
Focal Length: 21mm
Type: High Quality, Prime, Ultra Wide Angle
Model: Angulon
Series: Leica Super-Angulon-M
Camera Type: Rangefinder
Focus Type: Manual
Maximum Aperture: f/4.0
Mount: Leica M
To be honest, the Leica M4 is the top-of-the-line camera in the entire Leica M series. It’s got the most advanced film loading and rewinding systems, the most ergonomic film advance lever, and the most advanced black chrome plating technology. A brand new black chrome M4 is considered to be first-class in terms of both technology and workmanship. Plus, you can still find a top-of-the-line black chrome M4 at a reasonable price. Black chrome is more durable than black paint, but collectors prefer the latter because brass shows through where the paint has worn off.
There’s nothing quite as alluring as a black paint Leica camera. Once you get your hands on a black paint Leica, you can’t let it go. The worn-off black paint on the brass gives it a kind of glow that reminds us of the history of our rise and fall. It’s inspiring, really.
Black paint is becoming more and more popular, and the price keeps going up. Another option is to buy a current version of the black paint MP, since it hasn’t been discontinued yet, and even used ones often look like new.
In the past, black Leicas were a great help to war photographers, and now those same photographers have contributed to black paint Leicas. When you wear a black paint Leica M4 on your chest, you’re reminded of the masters, which gives you even more courage and strength. If this is true, then such a camera is truly priceless. Leica has become a cultural symbol, at least that’s how they promote themselves.
The Leica M4 stands out for its speed. It loads, advances, and rewinds film quickly, which is really useful. The M4 also has a combination of the M3 and M2 structures, with the counter from the M3 and the viewfinder from the M2. It was sold at a higher price than the M2 and M3 at the time. So, no matter what color it is, the Leica M4 is a really user-friendly camera.
The M4 was the first model to have a bent corner and a plastic washer on the film advance lever. This design increased the contact area of the thumb during film advance, so the thumb could slide along the edge of the body to the end. The classic film advance lever on the M3 looks good, but when the film is fully advanced, the finger has to leave the body, which reduces grip stability. The M4’s film advance lever design makes it easier for your thumb to move, which actually speeds up film advance and increases grip stability. The Leica M4’s film advance lever is designed with ergonomics in mind.
The Leica M4 also loads film pretty quickly. This fast film loading feature was inherited from the military versions of the Leica M2 and M2-R.
The Leica M8 is a digital rangefinder camera that has been around for almost twenty years. It’s not just a technological marvel for me, but also a great emotional support and creative partner. Whenever I pick it up, it’s like I’m embarking on a special photographic journey, and every click of the shutter is a part of my deep connection with the world. The Leica M8 is more than just a classic camera to me – it’s an indispensable companion and a constant source of inspiration in my photographic career.
I just love the M8 because it’s so reliable and pure, and it never goes out of style. In this day and age, where cameras are getting more and more advanced with each new generation, the M8 stands out for sticking to the traditional manual operation and rangefinder linkage. I really admire this return to the essence of photography! It made me realise that the value of photography doesn’t depend on whether it’s technologically advanced or not. It’s about how the photographer captures and conveys their emotions and thoughts through the lens.
I find that using the M8 to shoot black and white photos is a kind of emotional catharsis and artistic pursuit that I really enjoy. The world in black-and-white shades, fading away the noise of colour, leaving behind pure light and shadow and deep emotions. The M8 with its excellent control of shadow, so that each photo is full of power and infectious. They are not only visually enjoyable, but also touching the heart. It was such a wonderful feeling, like I was travelling through time and space! I felt connected to those classic black-and-white photographs and I could really feel the eternal charm of the art of photography.
Do you remember that gorgeous black and white ad for the Leica M8 by Wim Wenders?
When I first saw Wim Wenders’ beautiful black-and-white ad for the Leica M8, I was really moved. It was so much more than just a display of images. It touched my heart and resonated with me deeply, as if it truly understood the art of photography.
The black-and-white images unfolded slowly, and every detail seemed to have been carefully crafted over time, revealing an indescribable purity and depth. I was completely captivated by the moments of light and shadow, feeling the emotions and stories behind each frame. Wim Wenders has done an amazing job! He has such a unique perspective and exquisite skills. He has brought out the charm of the Leica M8 in the best possible way. I’m now yearning for and loving this camera like never before!
I know that black-and-white photography is all about playing with light and shadow to create something really special. It lets the photographer focus more on the composition of the image, the layers of light and shadow, and the emotion in the picture. The Leica M8 is a fantastic camera for black and white photography. It has excellent image quality, precise focusing ability and unique German colours. I would absolutely love to have a camera like that so I can capture every single moment of my life and record all those beautiful, heart-melting moments that just seem to pass by in the blink of an eye.
That advertisement just fills my heart with so much longing and love for the Leica M8 whenever I think of it! It’s not just a camera, it’s my best friend! It helps me pursue my passion for photography and express my inner feelings. I truly believe that in the days to come, I will grow with the Leica M8. I will explore the infinite possibilities of photography together with it and interpret the beauty and sorrow of the world with black and white images.
CCD Advantages of the Leica M8
Let me tell you about the amazing CCD sensor in the Leica M8! This digital rangefinder camera has a CCD sensor that offers some truly unique advantages. CCD sensors are a type of image sensor that have been used in early digital cameras for a long time. They have some great features that really make a difference, and you can see all of that in the Leica M8!
Produces high-quality images: The APS-H format CCD sensor used by the Leica M8 has 10 million pixels, but thanks to the high sensitivity and low noise characteristics of the CCD, it still produces great images. In bright light, the M8 can capture more details and reduce noise, producing a purer, more delicate image.
Ideal for black and white photography: You were right about the Leica M8 performing well when shooting black and white photos. This is down to the CCD sensor’s ability to capture light accurately and restore it effectively, which makes black and white photos look richer in tone and more contrasty. It can even capture infrared light.