When the Leica M8 debuted in 2006, it was already an anachronism. With an APS-H sensor (27×18mm) and 10.2MP resolution, it lagged behind Canon’s 2005 12.8MP full-frame 5D. Nineteen years later, in an era where $2,500 buys a 60MP mirrorless powerhouse, this German digital oddity should make no sense. Yet here I am, still grinning every time I press its brass shutter button.
The M8 isn’t a tool – it’s a manifesto. It dares you to ask: What if joy mattered more than specs?
The Leica SOFORT arrives like a postcard from a stranger—unexpected, cryptic, bearing the smudged fingerprints of time. It is not a camera. It is a provocation, wrapped in red leather and German pragmatism. “SOFORT” means “immediately,” but nothing about this machine feels hurried. To hold it is to hold a paradox: a Leica that laughs at permanence, a Fuji wearing a Savile Row suit.
The Anatomy of Ephemera
Body
Material: Plastic, but the kind that whispers “I could have been Bakelite.” Red, white, or black—colors borrowed from a Tarkovsky film.
Weight: 307g. Light enough to forget, heavy enough to remind you: Every photo is a farewell.
Design: Squares and circles in a lover’s quarrel. This is not Fuji’s kawaii flirtation; it’s Bauhaus austerity with a cigarette burn.
Lens
Focal Adjustment: A ring at the base, two zones: 0.6m-3m (intimacy), 3m-∞ (escape). Manual focus? No. Mindful focus. To turn the ring is to negotiate with distance, like a truck driver shifting gears on the Autobahn at dusk.
Sharpness: Startling. The lens—Leica-designed, Fuji-born—slices light with Teutonic precision. Polaroid’s soft nostalgia? Nein.
The Viewfinder: A Window to a Parallel World
The SOFORT’s viewfinder is a cathedral. Bright, uncluttered, a rectangle of pure possibility. Fuji’s Instax Mini 90 offers a peephole; Leica offers a portal. To peer through it is to remember: Photography isn’t about capturing reality. It’s about framing your loneliness and calling it art.
Technical Note:
Parallax Correction: None. Your mistakes are your own.
Film: The Alchemy of Impermanence
Film Type
Leica’s Soul
Fuji’s Body
Saturation
High, like blood on snow
Pastel, like faded denim
Contrast
Low, forgiving shadows
Harsh, a teenager’s first heartbreak
Price
$1.20 per shot (a prayer)
$0.80 per shot (a grocery receipt)
Leica’s Secret: Their film—rebranded Fuji—develops warmer. Is it chemistry? Or the placebo effect of a red dot?
The Ritual
Load the film. Feel the cartridge click, a sound like a bullet chambering.
Choose your distance. 0.6m for lovers, ∞ for runaways.
Press the shutter. The motor groans, ejecting a blank rectangle—a Schrödinger’s photo. Wait 90 seconds. Pray.
A Warning: The SOFORT doesn’t do “spontaneous.” It does delayed urgency. Every shot is a Russian roulette of light and regret.
The Ghost of M
Leica claims this is pedagogy—a gateway drug to M cameras. They’re not wrong. The SOFORT’s manual zone focus is a haiku version of the M’s rangefinder. Use it, and you’ll start craving the click-hiss of a film advance lever.
But here’s the truth: The SOFORT isn’t training wheels. It’s a memento mori for the digital age. Each photo decays. Each fade is a whisper: “You too will vanish.”
Who Buys This?
Not You, if you photograph birthdays.
You, if you’ve ever stolen a glance at a stranger on a train and wondered what god they curse.
Epilogue: The Eternal Instant
Wim Wenders once wrote: “Every film is a letter to someone who no longer exists.”
The SOFORT understands. Its photos are letters addressed to ghosts—written in silver halide, sealed with light.
Technical Specs (for the restless):
Lens: 60mm f/12.7 (Leica-designed, Fuji-built)
Focus Zones: 0.6m-3m / 3m-∞
Exposure Control: Auto, with a grudging nod to manual override
A camera is not a tool. It is a wound—a deliberate incision into time. The Leica I Model C (1930) knows this. It arrives not as an answer, but as a question carved in nickel and obsidian. Hold it, and you hold a blade forged in the smithy of Oskar Barnack’s rebellion: “Why must cameras be grand? Why not let them bleed into the shadows?”
This is not a machine for the obedient. It is for those who wear their loneliness like a tailored coat.
The Anatomy of Silence
Body
Material: Black lacquer, hand-mixed and now extinct—a pigment so deep it swallows light like a midnight ocean.
Weight: 380g. Not heavy, but dense with the gravity of firsts—the first Leica to detach its eye (lens), the first to let light carve its own path.
Shutter: Cloth curtain, still alive after a century. Adjust it, and it purrs like a wolf on a frayed leash.
Lens
Mount: Threaded, like a secret handshake. Early sets (I-III) were monogamous—body and lens serial numbers married, their brass vows etched into metal. Later, Leica let them divorce. Look for the “0” mark—a scar from lovers reunited.
Options: Nickel-plated Elmar 50mm f/3.5 (a dagger), Hektor 135mm f/4.5 (a spear). Chrome came later, but nickel whispers: “I am not here to shine. I am here to outlast you.”
In the twilight of the compact camera era (2014), when smartphones hadn’t yet devoured casual photography whole, the Leica D-Lux Typ 109 emerged—a 4/3 sensor wrapped in aluminum mystique. To hold one today is to grasp a relic from photography’s last analog gasp, when “premium compact” wasn’t an oxymoron but a promise. Its DNA? 85% Panasonic LX100, 15% Leica fairy dust. Yet like a Stradivarius played by a street musician, the magic lies not in provenance, but in execution.
Leica D-Lux (Typ 109)
Design
Body Language
Dimensions: 118 x 66 x 55mm—fits in a jacket pocket, not a corporate soul
Weight: 405g (14.3oz)—dense as a Weimar-era novel
Aesthetic: Leica red dot glowing like Dieter Rams’ guilty pleasure
Lens Alchemy
Specs: 24-75mm f/1.7-2.8 (equiv)—brighter than LX100’s optics dare
Coating: Leica’s secret sauce—flare resistance with a side of je ne sais quoi
Interface Paradox
Physical Dials: Aperture ring, shutter speed dial, EV compensation—haptic heaven
Touchscreen: None (praise the analog gods)
Sensor Wars
Aspect
Leica D-Lux 109
Panasonic LX100
Sensor
4/3″ 12.8MP
4/3″ 12.8MP
Color Science
Leica’s “Ektachrome”
Panasonic’s “Reality+”
JPEG Rendering
Velvia-esque saturation
Clinicall neutrality
Soul
Wim Wenders’ gaze
Tech spec spreadsheet
The 4/3 Revelation
While APS-C rebels and full-frame snobs scoff, the 4/3 sensor here channels Olympus’ PEN-F legacy:
Dynamic Range: 11 stops—sufficient for Weimar-level drama
Low Light: ISO 3200 = acceptable grain, ISO 6400 = “artistic choice”
Crop Factor: 2x multiplier transforms legacy glass into new beasts
Leica’s Alchemical Touch
Yes, it’s a Panasonic LX100—but reborn through Teutonic sorcery:
Firmware Magic: Shadow tones roll off like Brahms lullabies
Lens Tuning: Edge sharpness sacrificed for center bite (a Leica sacrament)
Color Doctrine: Reds sing Puccini arias, blues plunge into Baltic depths
Who Should Buy This?
✓ Nostalgia Addicts: Yearning for 2010s camera culture ✓ Leica Curious: Testing waters before M-dive ✓ Street Minimalists: Who’d trade AF speed for tactile joy
Avoid If: You pixel-peep or need 4K/60.
Final Verdict: The Beautiful Lie
The D-Lux 109 is photography’s best placebo—a $700 lesson in perceptual reality. For the price delta over LX100, you’re buying:
Red dot confidence (priceless)
JPEGs that develop like darkroom prints
Proof that soul transcends spec sheets
Rating: ⭐⭐⭐✨/5 (for romantics) | ⭐⭐/5 (for realists) “A camera that whispers: ‘Authenticity is overrated—let’s make pretty lies.’”
Aluminum shell, Leica’s ghost in Panasonic— Time’s sweet con artist.
When you decide to give up the ccd camera, perhaps unexpectedly, the ccd camera will also quietly leave you. I, on the other hand, am deeply grateful to be able to use the Leica M8 with the Elmarit 21mm f2.8 E60 to take tons of wonderful ccd photos. I can’t wait to tell you that this lens is without a doubt the perfect partner for the Leica M8.
The excellence of the Leica m8.
I firmly believe that the Leica m8 is an exceptional camera. In these challenging times of full-frame ccd technology, Leica’s aps-h format for the m8 shows significant advantages over the aps-c format of common DSLRs. Admittedly, not being full-frame, the camera loses some of the lens’s field of view in use, but the APS-H’s 1.33 equivalent conversion makes a 21 mm lens equivalent to 28 mm and manages to capture the best image quality areas of a 21 mm lens. As a result, film shot with the Leica M8 has a very high degree of sharpness.
Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60
The lens is a wonderful match for the m8.
When this lens is combined with the m8, the results are extremely impressive. Not only are the colors vibrant, but the sharpness is excellent. I am in love with its colors, which in my opinion are even more captivating than the Leica Elmarit 21mm asph version .
How the lens performs on the M8 vs. M9.
Half of the time this lens was mounted and used on the m9, the other half of the time it was mounted on the m8. I was actually more impressed with the color performance on the M8. Although it’s hard for me to say exactly why, it always seemed to me that the m8’s ccd was able to show its color appeal more fully.
Street photography is like a solo trip, in this field some people recognize the 35mm lens, while others prefer the 28mm lens. I, on the other hand, don’t get hung up on which lens to use. I have always believed that photographers should be willing to experiment. In fact, this 21mm lens with the Leica M8 is my favorite combination. I love it even more than the 28mm lens on the m9, even though they have the same field of view.
Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60Leica M8 with Elmarit 21mm f/2.8 Pre-ASPH E60
The Leica M3 is a true legend in the history of photography. It’s not just the pinnacle of the Leica brand’s brilliant history — it’s an eternal classic in the hearts of countless photographers. The Leica CL, on the other hand, has done something really special. It’s broken new ground in the field of rangefinder cameras with its small and exquisite body. It’s become a bright pearl in the Leica family. If the CL can keep its special charm while making things even more precise and finely crafted, and giving it a more distinctive and unique personality, then it’ll be no surprise when it beats the Leica M6 and becomes the favourite of the new generation!
The Leica CL’s short focal length baseline design does have one slight drawback: it limits its perfect match with large aperture lenses to a certain extent. But don’t fret! This feature makes it a perfect match with lenses with apertures of f/2.8 and below. With these lenses, the CL really shines! It produces the finest image quality and deepest depth of field, making it perfect for photographers who want the best of both image quality and portability.
The Leica CL might have a few limitations, but that doesn’t take away from its value as a great camera! And there’s more! Its affordable price, excellent durability, compact size, and instantly recognizable small design combine to create an irresistible appeal. There’s something really special about holding the CL in your hand. It’s like holding the key to time! And each soft click of the shutter is a perfect tribute to classicism and innovation.
And then there’s the story about the relationship between the Leica CL and the M5, which is even more legendary! Word has it that the CL, with its one-of-a-kind charm, had a pretty big impact on the M5’s sales. In fact, it’s said that it led to the CL’s sad departure after three years of production.
For me personally, the Leica CL is undoubtedly my favorite. Compared to the slightly conservative design of the M5, the CL’s sleek and compact styling is more in line with my aesthetic. Whenever I pick it up, I can feel the unique flavor and ingenuity from Leica. Leica CL is not just a camera, it is an attitude towards life, a spiritual symbol of the relentless pursuit of beautiful things.
Leica CL is being made by Minolta of Japan. They’re a partner with excellent technology and craftsmanship, and they’re helping to keep the Leica CL a member of the Leica family in its purest form. From the very start, Leica has been involved in every detail of the CL’s design. They wanted to make sure that the camera not only looks elegant and classic, but also meets Leica’s high standards for performance and quality.
Every line, every button, and even the layout of the internal structure of the CL is the result of the efforts and wisdom of Leica’s wonderful designers. Together, they’ve created a camera that’s truly one of a kind, showcasing the unique Leica style we all know and love. And Minolta, as the manufacturer, makes sure that every part of the CL’s production process meets the quality standards set by Leica. They use their excellent manufacturing techniques and strict quality control system to make sure everything is just right!
So, even though the CL’s origin label reads “Minolta Japan,” it’s really Leica’s blood that flows in its veins! It’s a reflection of Leica’s persistent pursuit of the art of photography and relentless innovation. If you’re a photographer who loves Leica and wants a top-notch photographic experience, the CL is the perfect choice! You get to enjoy Leica’s iconic design while experiencing the amazing craftsmanship and quality from Japan.
It’s so lovely to see that even today, used Leica CLs are still going strong and remain a firm favourite among photography enthusiasts thanks to their incredible durability and stability. These lovely oldies but goodies seem to have been given a bit of a makeover by time! They’re still going strong and ready to be used in every shoot, showing amazing reliability.
It’s really impressive how well the Leica CL’s metering system holds up compared to other cameras from the same era. Many of them just don’t have the same staying power when it comes to their metering functions. This is thanks to Leica’s dedication to quality and precision in the design and manufacturing process, as well as the amazing craftsmanship contributed by Minolta as a manufacturing partner. Even today, when we pick up a used Leica CL and flick the dial, the familiar and precise metering indications still respond quickly and accurately. This is great for photographers because it provides a reliable reference for exposure, ensuring that the perfect moment of light is captured on every shot!
This amazing durability and stability is one of the main reasons why the Leica CL is so popular on the used market. It’s not just a camera, it’s a symbol of heritage and faith. Every photographer who owns it can feel the unique charm and craftsmanship from Leica.
I am in love with the black-painted version of this Leica MP, which is not just a photographic tool, but a work of art that transcends time and space. This deep black, as if it were the embodiment of night, is both mysterious and solemn. It is not just a choice of color, but an insistence and commitment to timeless quality. Underneath the black lacquer lies Leica’s relentless pursuit and respect for the art of photography, and every soft click of the shutter is a firm response to that commitment.
The rarity of Leica Black Lacquer lies in the fact that it is not available at will, but is limited to those special models with exclusive configurations. This limited availability and exclusivity makes every Leica MP Black Finish version a dream object in the minds of photography enthusiasts. Over time, the black finish will gradually fade, revealing the warm and textured brass color underneath. This naturally occurring “trace of age” not only doesn’t detract from the beauty of the camera, but adds a bit of unique flavor and a sense of storytelling, as if every scratch and mottle is a whisper of time telling the story of the experiences it has shared with its owner. It is as if each scratch and stain is a whisper of time, telling of the experiences it has shared with its owner.
The Leica MP, a classic that was first introduced in 1956, was originally designed as a professional camera for small-scale news reporting, but over time it gradually became a legend in the field of photographic art. Today’s new Leica MP continues this tradition, stable and reliable, without the need for batteries, its batteries are used only for metering; it also inherits the M6’s metering system, which gives the photographer precise exposure instructions so that every shot captures the most perfect moments of light and shadow.
The Leica MP is a firm favorite among professionals for so many reasons! Its excellent technical performance is just the start. It truly understands the way photography works. Photography is about more than just showing off technology. It’s also about expressing emotions and thoughts. So, the Leica MP was designed with you in mind. We know how important it is for photographers to have a camera that reflects their personal style and emotional commitment to their craft. It’s not just a camera, it’s a faithful friend that will be there to cheer you on as you grow and create!
In this digital age, Leica has remained true to its love and dedication to film cameras. It has continued to launch classics like the MP, providing more choices and possibilities for professionals who love film photography and pursue a pure photographic experience. This is so much more than just a tribute to tradition. It’s also a sign of confidence and a peek into what the future of photography might hold. The Leica MP in black is the perfect embodiment of this unwavering belief and anticipation.
We know you’ve taken countless photos with this Leica MP, and we’d love to hear your honest opinion! This camera is so reliable! It’s super stable, and the smoother it feels the more you use it. It’s become a great companion on your photographic journey. Every time you press the shutter, you can feel the precision and reliability of the classic Leica MP design. It’s as if the mechanical structure has been brought to life by time! The more you use it, the more it seems to know what you want it to do. It’s smooth and natural to use. This is the unique charm of a Leica camera! You’ll find it hard to let go once you start using it.
The last Kodak train made its way to the station, carrying with it the CCD of the M9. It was a sad day when the last Kodak train took away the CCD of the M9. But it couldn’t be kept, nor could it be saved. Leica has entered the exciting, mature CMOS era! Youth will eventually say goodbye, but it’s a bittersweet moment. Farewell, youth! As you slowly fade away, your pure happiness stings memories.
Remembering the Leica M9
In 2009, Leica released the M9, and it was a game-changer! Just think of all the people who dream of having one! The world’s first full-frame rangefinder digital camera! Just imagine holding such a camera, like Henri Cartier-Bresson, wandering the streets. How many fantasies could it evoke? Just how many people only discovered this amazing brand thanks to the incredible Leica M9? At that time, it was the most impressive 135 full-frame digital camera on the market. Just one look at you with this camera around your neck and you’d be the center of attention wherever you went!
How many people have tried different settings in Photoshop, trying to get their Canon or Sony colors to match Leica? They usually end up failing, not because of Photoshop, but because they’re impatient.
Classic Elements of the Leica M9
The viewfinder frame of the M9 is physically lit, just like the film M cameras. Film users will feel comfortable looking at the front face of the M9, while the bald front face of the M240 and M10 may feel a bit awkward. In addition, the M-E and M240, which were introduced after the Leica M9, lack the preview lever, making them look less classic in appearance. Therefore, when looking back at the M9, its classic elements appear more dazzling. Nowadays, the M10 also lacks the light window, and Leica designers realized this. If we continue to simplify it like this, can we still call it a Leica? Therefore, Leica M10 quickly introduced the most classic rewind knob of the M3, making it into an ISO dial. In order to maintain its classic elements, it can be said that they put in a lot of effort.
Leica users are interesting. On one hand, they say that Leica is becoming less and less classic, but on the other hand, they look forward to seeing what new products Leica will release slowly. This shows that Leica M has always had some kind of tacit understanding with its users, which can only be explained by mysticism. But in any case, it is now a consensus that there is no light window after the M9. From today on, the Leica M9 is officially classified as a classic camera!
M8 and M9
APS-H and full-frame are the differences in film size, but in terms of operation, the M8 and M9 are basically the same. Once you get used to the M8 and M9, it might feel a bit strange to switch to the M240 and M10 in terms of settings. The menus on the M8 and M9 are pretty simple, which makes them seem easier to use.
The Color of the M9
I think film is better than digital. It has more character. No matter what data you use to prove the high pixels and accurate colors of digital, it can never replace the premium texture of film. I think it’s fair to say that the color of the Leica M9 is pretty close to film. In fact, I’d go as far as to say that’s the biggest compliment you can pay the M9.
CCD vs. CMOS
The CCD from Kodak gives the Leica M9 a special texture, of course, when paired with Leica lenses. Many people switched from CCD to CMOS, but still missed the color and texture of the M9. The solid blue, the pure red, and the greenish tone throughout the photo—they always give you some unexpected surprises. That’s the characteristic of film, right?
Don’t get me wrong, the CCD of the M9 is an amazing piece of technology. Some people can even process a CMOS photo to have a CCD-like texture, it just takes some time. And the color of Leica’s CMOS is also not to be underestimated. It is not something other brands can easily catch up with.
Raw Dynamic Range
The good news is that underexposure of up to 4 stops can be salvaged, while overexposure can be recovered up to 3 stops. This is truly amazing! It’s incredible how well it retains highlights, especially when compared to other cameras. Many people have been blown away by this feature, and they’re saying that highlights can’t be recovered as well in CMOS cameras.
Conclusion
I’m not here to judge other people’s opinions about the Leica M9. Everyone’s entitled to their own! For me, it will always be a camera that inspires admiration! It was then, it is now, and it will be again! Because I’ve never denied those whimsical thoughts from my youth!
For the previous generation, owning an M3 was a truly happy thing! For those who were interested in Leica ten years ago, owning an M9 was an absolute dream come true! I’m not trying to persuade you to buy a Leica M9. I’m just sharing my love for this amazing camera! Maybe you’re thinking about the M11 or M10? Well, my song might not be in your dreams, but it’s definitely worth a listen!
When I got my first film camera, a Leica M3, I was over the moon! I sold most of my DSLRs because I fell head over heels for the M3 and those cameras just weren’t doing it for me anymore. And that was just the beginning!
The M3 is a 60-year-old mechanical camera, but it was the start of something wonderful for me. “A street photographer without a film camera is like a body without a soul. Hahaha.” I think the Leica M3 has a special quality: the more time you spend with it, the better your photography becomes. This quality is transferred from the camera through your fingers, your skin, your nerves. This isn’t your typical objective camera review. It’s more like a heartfelt poem that expresses my emotions.
Real Classic
The Leica M3 is a real classic! It was the first film camera to adopt a bayonet-mounted interchangeable lens design, which is still used in interchangeable lens cameras today. Compared with the previous screw-rotating lens assembly method, this bayonet method allows for quick lens replacement. But the Leica M3 is a great camera in so many other ways too! Its film advance wrench has also been widely used by other brand film cameras.
The story of buying a Leica M3
On a sunny afternoon, I strolled through the alleys of the old street, carrying in my heart the infinite love for the art of photography. I was on a mission to find the perfect second-hand Leica M3 camera! The old street was lined with all kinds of stores, but my eyes were always locked on an inconspicuous secondhand camera store that had a really charming vintage feel to it.
As I stepped inside, I was immediately drawn in by the unique atmosphere of age and metal luster. As I stepped inside, I was greeted by a soft light and a lovely display of old cameras on wooden shelves. Each one seemed to tell a story from the past, and I couldn’t help but feel a sense of wonder and admiration. I asked the shopkeeper in the gentlest way if he had a classic Leica M3.
The shopkeeper smiled and seemed to know exactly what I was looking for. He carefully took out a well-maintained Leica M3 from behind the counter. It was so shiny in the sunlight! You could see every detail, and it was clear that a lot of skill and time had gone into making it.
I took the camera and gently stroked the cool metal surface, feeling the weight and texture of it in my hands. As I looked through the viewfinder, it felt like I could see every single moment that had been captured by photographers in the past. I pressed the shutter, and even though it was just a little click, I fell in love with this camera right away. It has a unique mechanical beauty and a wonderful sense of ceremony.
The lovely shopkeeper was kind enough to tell me all about the camera’s history, how it performs, and all the people it’s been with over the years. As I listened to each story, I felt my understanding of this camera deepen and my emotional connection to it grow stronger. After a little back and forth, we finally struck a deal at a price that was just right for us.
As I walked out of the store, holding this precious Leica M3 in my hands, I was filled with so much excitement and anticipation! I knew that this wasn’t just a camera purchase, but a tribute to the legacy of photography and a promise to capture countless beautiful moments in the future. On this sunny afternoon, my encounter with the Leica M3 became a truly unforgettable experience.