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LEICA 0 Series Oskar Barnack Limited Edition camera w/Anastigmat 50/3.5 lens

Slow

If you’re looking for a truly unique photography experience, the Leica 0 series camera is the one for you! It’s the perfect blend of classic Leica style and cutting-edge technology. Capture stunning images with the “slow” and “portable” philosophy at the heart of every Leica camera. It may be a bit slow, but I sell this camera quickly.

My story

I found the Leica 50mm/0.95 around my neck to be too heavy, and it caused my neck to hurt for days. So I missed out on the smaller Leica, the 0 series replica is compact, even smaller than today’s smartphones, but it still has a solid case and pure Leica lenses, so I bought one to free my neck.

This is a replica of the Series 0. The original Model 0 sold for $2.16 million at auction, making it the most expensive camera in the world at the time. This special edition Leica camera has a gorgeous black lacquer finish and brass top. I had planned to use this camera for a while and then let the black paint wear off naturally.

Before I started using it for photos, I really liked the design. If you could carry it around with you, this camera could last a lifetime. The reality is that it’s really difficult to use, so you have to cover the lens every time you switch to the next negative.

Of course, it’s not the camera, it’s me! This limited-edition camera is meant to be a collector’s item, not a tool for street photographers like me.

Slow Philosophy

The concept of “slow” is relative and depends on the context. Back when the Leica 0 was first introduced, it was seen as a fast photography tool. Just like computers, you can’t really compare CPU speeds from 20 years ago to today’s standards.

Just a few more things to keep in mind when taking pictures with this camera. For instance, you’ve got to put the lens cap back on before you can switch to the next picture. Also, you’ve got to hold down the shutter while rewinding the film.

Just a heads-up: Once you’ve finished winding, the shutter speed is fixed, so it’s important to set it first.

How to use

To get the most out of this vintage camera, it’s important to develop good operating habits, like:

When you’re ready to stow the camera away in your bag, leave the shutter on release so you can adjust the shutter speed for your next shooting need.
Trim the spare film in advance before using it.
When installing a new roll of film, ensure that the protrusion on the film aligns with the notch on the spindle to ensure proper installation. Instead of using the spindle to locate the notch, you can use the notch to locate the protrusion on the spindle.
Always remember to open the lens cover before taking a photo, and cover it after winding the film. This simple mantra is worth remembering.
It may take some practice and skill to use a 0-type camera effectively, but the stunning results make it all worthwhile.

The Leica 0-series camera used the Anastigmat 50 3.5 lens, which was originally designed by Berek in 1920. Despite what some people said, the lens only had four elements in three groups, which is similar to the Elmar lens. The new version of this lens has four elements in three groups, but it’s got a new design and coated glass. It’s said to offer better contrast and sharpness when used at full aperture, and it’s pretty similar to the Summicron 50 f2.

The lens is really excellent. However, I really think that this camera is not suitable for use, only for collection.

LEICA M8 REVIEW

The Leica M8 is a digital rangefinder camera that has been around for almost twenty years. It’s not just a technological marvel for me, but also a great emotional support and creative partner. Whenever I pick it up, it’s like I’m embarking on a special photographic journey, and every click of the shutter is a part of my deep connection with the world. The Leica M8 is more than just a classic camera to me – it’s an indispensable companion and a constant source of inspiration in my photographic career.

I just love the M8 because it’s so reliable and pure, and it never goes out of style. In this day and age, where cameras are getting more and more advanced with each new generation, the M8 stands out for sticking to the traditional manual operation and rangefinder linkage. I really admire this return to the essence of photography! It made me realise that the value of photography doesn’t depend on whether it’s technologically advanced or not. It’s about how the photographer captures and conveys their emotions and thoughts through the lens.

I find that using the M8 to shoot black and white photos is a kind of emotional catharsis and artistic pursuit that I really enjoy. The world in black-and-white shades, fading away the noise of colour, leaving behind pure light and shadow and deep emotions. The M8 with its excellent control of shadow, so that each photo is full of power and infectious. They are not only visually enjoyable, but also touching the heart. It was such a wonderful feeling, like I was travelling through time and space! I felt connected to those classic black-and-white photographs and I could really feel the eternal charm of the art of photography.

Do you remember that gorgeous black and white ad for the Leica M8 by Wim Wenders?

When I first saw Wim Wenders’ beautiful black-and-white ad for the Leica M8, I was really moved. It was so much more than just a display of images. It touched my heart and resonated with me deeply, as if it truly understood the art of photography.

The black-and-white images unfolded slowly, and every detail seemed to have been carefully crafted over time, revealing an indescribable purity and depth. I was completely captivated by the moments of light and shadow, feeling the emotions and stories behind each frame. Wim Wenders has done an amazing job! He has such a unique perspective and exquisite skills. He has brought out the charm of the Leica M8 in the best possible way. I’m now yearning for and loving this camera like never before!

I know that black-and-white photography is all about playing with light and shadow to create something really special. It lets the photographer focus more on the composition of the image, the layers of light and shadow, and the emotion in the picture. The Leica M8 is a fantastic camera for black and white photography. It has excellent image quality, precise focusing ability and unique German colours. I would absolutely love to have a camera like that so I can capture every single moment of my life and record all those beautiful, heart-melting moments that just seem to pass by in the blink of an eye.

That advertisement just fills my heart with so much longing and love for the Leica M8 whenever I think of it! It’s not just a camera, it’s my best friend! It helps me pursue my passion for photography and express my inner feelings. I truly believe that in the days to come, I will grow with the Leica M8. I will explore the infinite possibilities of photography together with it and interpret the beauty and sorrow of the world with black and white images.

CCD Advantages of the Leica M8

Let me tell you about the amazing CCD sensor in the Leica M8! This digital rangefinder camera has a CCD sensor that offers some truly unique advantages. CCD sensors are a type of image sensor that have been used in early digital cameras for a long time. They have some great features that really make a difference, and you can see all of that in the Leica M8!

Produces high-quality images: The APS-H format CCD sensor used by the Leica M8 has 10 million pixels, but thanks to the high sensitivity and low noise characteristics of the CCD, it still produces great images. In bright light, the M8 can capture more details and reduce noise, producing a purer, more delicate image.
Ideal for black and white photography: You were right about the Leica M8 performing well when shooting black and white photos. This is down to the CCD sensor’s ability to capture light accurately and restore it effectively, which makes black and white photos look richer in tone and more contrasty. It can even capture infrared light.

Rolleiflex 3.5 MX-EVS: A Twin-Lens Dream in Reverse

Introduction: A Camera That Waits

They say every Leica owner keeps a Rolleiflex at home, gathering dust like an old love letter. I’m no twin-lens fanatic, but I get it—there’s something about these square-eyed boxes that lingers. My Rolleiflex 3.5 MX-EVS isn’t the fanciest of its kind. It’s the last of the non-interchangeable focus screen models, a budget relic with no meter, picked up cheap from a forgotten shelf.

Design & Build: A Mechanical Poem

The MX-EVS sits heavy in your hands, a brick of German steel and glass from the early ’50s. It’s all manual, all mechanical—no bells, no whistles—just the way I like it, echoing the Leica M3’s stubborn simplicity. Early models wore white plastic like a shy debutante, but mine’s cloaked in black paint, chipped at the edges, whispering tales of a life before me. The Tessar lens, a 75mm f/3.5, stares up from its twin perch, unassuming yet precise. Rolleiflex moved to Zeiss and Schneider glass later, but this one? It’s raw, honest, built to last—like a typewriter that still clacks in a digital age.

Features: The Art of Less

This isn’t a camera that spoon-feeds you. No built-in meter means you’re on your own, guessing exposure like a drifter reading the sky. The film counter’s automatic, though—a small marvel that clicks with every frame of 120 film, a nod to German ingenuity. The waist-level viewfinder flips open like a secret hatch, revealing a world flipped left-to-right. It’s disorienting at first, a mirror to somewhere else, but that’s the charm—you’re not just shooting; you’re dreaming in reverse.

Performance: Street Shadows and Square Frames

I took the MX-EVS to the streets, chasing echoes of Robert Doisneau and Vivian Maier—masters who saw poetry in the mundane through a Rolleiflex. There’s a story from the ’50s: Henri Cartier-Bresson praised the Leica’s agility in one paper, and the next day, Doisneau countered with the Rolleiflex’s knack for candid grace. I see why. Peering down into that glowing square, reality bends—left becomes right, and time slows. The Tessar lens paints shallow depth and creamy bokeh, turning strangers into soft-edged legends.

But 120 film threw me off. Coming from 135, my “sunny 16” guesses overexposed half my rolls—bright blurs instead of crisp tales. It’s four times the size of 35mm, a beast to scan but a gift in detail. Portraits shine here—square compositions frame faces like old photographs in a family album. Still, I’ve sidelined it lately; my impatience doesn’t match its rhythm.

Pros & Cons: A Love with Limits

Pros:

Gorgeous square shots with dreamy bokeh—perfect for portraits.
Built like a tank, a survivor from 1951.
That flipped viewfinder—it’s a portal to another world.

Cons:

No meter means exposure’s a gamble (and I’m a lousy card player).
120 film’s a learning curve—pricey and unforgiving.
Slow to shoot; it’s a thinker, not a sprinter.

Conclusion: A Letter to the Past

The Rolleiflex 3.5 MX-EVS isn’t for everyone. It’s not sleek like a Leica or loud like a Nikon. It’s a quiet companion, a twin-lens ghost that asks you to pause, to feel the weight of each click. I’ve got a Chinese Orient 120—a Tessar knockoff—that mimics it well enough, and the world’s full of Rolleiflex copies. But this one’s mine, a worn treasure I’ll keep, even if it mostly guards my shelf now.

Wenders might say every photo is a letter to someone gone. With this camera, I’m writing to the streets—Doisneau’s Paris, Maier’s Chicago—hoping the light answers back. Pick up a Doisneau book, let it sink in, and maybe you’ll see why I can’t let this Rolleiflex go.

Tech Specs:

Lens: 75mm f/3.5 Tessar (4 elements, 3 groups)
Shutter: Compur-Rapid, 1s to 1/500s
Film: 120 (12 shots per roll)
Weight: ~900g

Leica in Babylon Berlin Season 4

Babylon Berlin has reached the fourth season, a lot of night scenes, indoor light sources, certainly used Leica film lenses …… This is a very careful about photography episodes. Already to the fourth, very good oh, full of details. The first episode showed a Leica camera, and flash.

Leica M6

I’ve always cherished Leica cameras for their blend of beauty and utility, and the Leica M6 stands out as a masterpiece. It’s intuitive, reliable, and—for me—the heart of my collection alongside the M3, M2, and CL.

Metering Magic

In film photography, exposure is everything. The M6’s built-in TTL (Through-The-Lens) metering system is a revelation—precise and stable, reading light off the shutter curtain with uncanny accuracy. Forget the “Sunny 16” rule’s guesswork; this camera gives me confidence to nail every shot, especially when transitioning from digital to film. It’s a trusted ally for capturing fleeting moments without second-guessing.

Iconic Design

The M6’s look is pure Leica: sleek lines, a bold red dot, and a choice of silver TTL or black Classic finishes. I started with the silver TTL, but the black body’s mystique won me over—its understated elegance keeps my focus on the frame. At 580g (body only), it’s hefty yet balanced, a tactile reminder of German craftsmanship.

A Personal Passion

My Leica journey began with the groundbreaking M3, moved to the compact CL, and peaked with the M6. That red dot isn’t just a logo—it’s a symbol of my devotion to photography’s art. After a decade with these cameras, the M6 remains my go-to for its blend of legacy and function.

Tech Note:

Metering: TTL, center-weighted
Shutter: 1s to 1/1000s, mechanical
Weight: 580g (body)
Price (2024): ~$2,500-$3,500 used