Leica 135mm f/2.8 Elmarit-M Review: The Philosopher’s Lens

Prologue: The Quiet Contemplator

In a world obsessed with speed and immediacy, the 1975–1998 Leica 135mm f/2.8 Elmarit-M stands like a Zen monk in a stock exchange—patient, deliberate, and unshaken by trends. Priced between 300–300–600 (2025 USD), this 775g brass-and-glass oracle proves that true artistry thrives in stillness. Think of it as the Volvo station wagon of lenses: unglamorous, reliable, and built for the long haul.


Design: Precision as Poetry

  1. Bauhaus Brutalism
    • Body: Machined brass—dense as a Tolstoy novel, balanced as a Swiss watch. The built-in telescoping hood deploys with a snick worthy of a Rolls-Royce door.
    • Goggles: Attach the 1.4x magnifier (Leica’s “philosopher’s spectacles”), and the 90mm framelines bloom into 135mm clarity—a magic trick Houdini would envy.
  2. Generational Nuance
    • Early S7 Models: Chunky as a vintage typewriter.
    • Later E55 Versions: Slimmed down like a tailored suit—same soul, lighter footprint.

Optical Alchemy: Sharpness with Soul

Aspect135mm f/2.8 Elmarit-MModern 90mm f/2 APO
SharpnessSamurai sword at f/2.8Laser-guided missile
BokehMonet’s garden at duskIKEA lamp shade
WeightKettlebell workoutFeatherweight jogger
Soul🧘♂️🧘♂️🧘♂️🧘♂️🧘♂️🤖
  • f/2.8 Wide Open: Tack-sharp at the center, with backgrounds dissolving into watercolor washes—ideal for isolating subjects like a haiku in a noisy world.
  • Stopped Down: At f/8, microcontrast rivals Ansel Adams’ zone system—every leaf, brick, and wrinkle sings.

The “Three Paradoxes”

  1. Slow Photography Zen: The long focus throw forces mindfulness—like sipping tea while others chug espresso.
  2. Stealth Giant: Despite its heft, it’s invisible on the street—no one suspects a 135mm lens on a Leica.
  3. Chinese Proverb Footnote:“千里之行,始于足下”
    (“A journey of a thousand miles begins with a single step”)
    A nod to how this lens teaches patience in an age of instant gratification.

Who Needs This Lens?

Portrait Philosophers: Who chase soul, not just sharpness
Landscape Meditators: Framing distant peaks like Zen gardens
Contrarians: Who’d choose a typewriter over ChatGPT

Avoid If: You shoot sports, fear tripods, or think “vintage” means “obsolete.”


Final Verdict: The Seeker’s Tool

The 135mm Elmarit-M isn’t just a lens—it’s a mirror. For the price of a weekend in Tuscany, you gain:

  • A masterclass in Walter Mandler’s optical pragmatism
  • Proof that “slow” and “deliberate” aren’t synonyms for “outdated”
  • Permission to ask, “Who am I?” through your viewfinder

Rating:
🎞️🎞️🎞️🎞️🤍 (film poets) | 📱📱🤍🤍🤍 (zoombies)

“A lens that whispers: ‘To see far is to see deeply.’”


Pro Tips:

  • Tripod Love: Use the built-in mount—this lens rewards stillness like a cathedral rewards silence.
  • Film Pairing: Kodak Portra 160—its pastel palette harmonizes with the lens’ contemplative soul.
  • Focus Mantra: Breathe in, rotate slowly, breathe out—repeat until the world snaps into clarity.

Epilogue: The Mirror of Distance
In a world racing toward wider, faster, more, the 135mm Elmarit-M stands as a brass-clad rebuttal: “True vision isn’t about capturing everything—it’s about finding what matters.” As the Chinese masters knew, the longest journeys begin with a single, deliberate step. Now go frame yours. 🌄

Brand Name: LEICA
Filter Size: SERIES VII RETAINING RING
Focus Type: MANUAL FOCUS (ONLY)
Lens Mount: LEICA M
Lens Type: TELEPHOTO / LONG
Max Focal Length: 135MM
Min Focal Length: 135MM
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8
Leica Elmarit-M 135mm f2.8

Leica Super-Angulon 21mm f/4 Review: The Forgotten Alchemist

Prologue: The Unlikely Maverick

In 1958, Leica and Schneider teamed up like Jobs and Wozniak to birth the Super-Angulon 21mm f/4—a lens as rare as a unicorn at a rodeo and as misunderstood as Van Gogh’s Starry Night. Priced between 1,000–1,000–2,000 (2025 USD) for mint copies, this 260g brass-and-glass relic is the DeLorean DMC-12 of optics: quirky, divisive, and utterly irreplaceable. Born from Schneider’s large-format wizardry, it’s the ultimate ‘what-if’ for collectors and poets alike.


Design: Industrial Ballet

  1. Miniature Titan
    • Body: Machined brass wrapped in chrome—dense as a Dostoevsky novel, compact as a Zippo lighter. Collapses into Barnack bodies like a pocket watch.
    • E39 Filters: A nod to Leica’s mischievous specs—like asking Picasso to paint with a toothbrush.
  2. Schneider’s Secret Sauce
    • Nine elements arranged like a symphonic score—complex, precise, and stubbornly analog.

Optical Alchemy: Flaws as Features

AspectSuper-Angulon 21mm f/4Modern 21mm f/3.4 ASPH
SharpnessHemingway’s prose—direct yet soulfulAI-generated perfection
VignettingFilm noir mood lightingClinic-grade uniformity
BokehMonet’s water liliesPolyester bedsheets
Soul🎨🎨🎨🎨🎨🖨️
  • f/4 Wide Open: Center sharpness slices like a katana; edges dissolve into Rothko abstractions.
  • Color Rendering: Blues deeper than the Mariana Trench, greens richer than a Bavarian forest—Kodachrome’s long-lost twin.

The “Three Charms”

  1. Vignetting Virtuoso: Embrace the dark corners—they’re not flaws, but cinematic vignettes straight from Casablanca.
  2. Film Noir Glow: Single-coated flare paints halos like Kubrick’s lens filters—free drama for moody street shots.

Film vs Digital: Choose Your Adventure

  1. Film Romance
    • On Kodak Tri-X, it’s Cartier-Bresson’s ghost nodding approval—grain dances with microcontrast.
  2. Digital Quirks
    • On a Leica M11, red shift flares like a psychedelic sunset. Fixable? Sure. Worth fixing? Blasphemy.

Who Needs This Lens?

Analog Alchemists: Who polish their M3s with unicorn tears
Contrarians: Preferring vinyl crackle over Spotify HD
Collector Rebels: Who’d trade a Rolex for a conversation piece

Avoid If: You pixel-peep, hate vignettes, or think “autofocus” isn’t cheating.


Final Verdict: The Beautiful Misfit

The Super-Angulon 21mm f/4 is photography’s cult classic—a brass-knuckled rebel whispering: “Perfection is boring.” For the price of a bespoke suit, you gain:

  • A time machine to photography’s golden age of experimentation
  • Proof that “flaws” can outshine clinical precision
  • Bragging rights at camera clubs (“Mine glows under UV light”)

Rating:
🎞️🎞️🎞️🎞️🎞️ (film poets) | 📱📱🤍🤍🤍 (zoombies)

“A lens that whispers: ‘Imperfection is just artistry in disguise.’”


Pro Tips:

  • Flare Embrace: Remove the hood—let its blue halos channel Blade Runner vibes.
  • Film Pairing: Ilford FP4+ @125—Citizen Kane gravitas on a budget.
  • Focus Zen: Zone-focus at 3m—let serendipity handle the rest.

Epilogue: The Alchemist’s Legacy
Leica’s modern ASPH lenses may dominate charts, but the Super-Angulon 21mm f/4 remains stubbornly 1958—a brass-clad rebel teaching us: “True artistry thrives in the cracks of convention.” Now go shoot something imperfectly perfect.

Brand:	Leica	
Country/Region of Manufacture:	Germany
Focal Length Type:	Fixed/Prime	
Focal Length:	21mm
Type:	High Quality, Prime, Ultra Wide Angle	
Model:	Angulon
Series:	Leica Super-Angulon-M	
Camera Type:	Rangefinder	
Focus Type:	Manual
Maximum Aperture:	f/4.0	
Mount:	Leica M

Leica Super-Angulon 21mm f/3.4 Review: The Wide-Angle Wizard

Prologue: A Cinematic Dream in Brass

In 1963, Leica and Schneider joined forces like Lennon and McCartney, birthing the Super-Angulon 21mm f/3.4—a lens that redefined wide-angle photography. Priced today between 800–800–1,600 (2025 USD), this 280g chrome-and-brass marvel weighs less than a vintage typewriter yet packs the visual punch of an IMAX screen. Forget modern aspherical beasts—this lens is a 1967 Ford Mustang in a world of Teslas: raw, charismatic, and utterly irreplaceable.


Design: Bauhaus Meets Hollywood

  1. Miniature Titan
    • Body: Machined brass—dense as a Tolstoy novel, compact as a Zippo lighter. Smaller than Leica’s 35mm “8-Element,” yet wider than your imagination.
    • Focus Throw: 180° sweep from 0.4m to ∞—a street photographer’s tango.
  2. Schneider’s Secret Sauce
    • Born from Schneider’s cine lens DNA (think Cinegon series), it’s the Marlon Brando of optics—unconventional, intense, and dripping with character.

Optical Alchemy: Painting with Light

AspectSuper-Angulon 21mm f/3.4Modern 21mm f/1.4 ASPH
SharpnessHemingway’s prose—direct yet soulfulGPT-4 precision
ContrastFilm noir shadowsInstagram filter
BokehButter churned by monksMargarine from a factory
Magic🎥🎥🎥🎥🎥📱
  • f/3.4 Wide Open: Center sharpness cuts like a samurai sword; edges dissolve into Monet’s brushstrokes.
  • Color Rendering: Blues deeper than the Mediterranean, greens richer than Bavarian forests—Kodachrome reborn.
  • Black & White: Tri-X film + this lens = Ansel Adams meets Fritz Lang. Microcontrast so rich, you’ll taste the grain.

The “Four Miracles”

  1. 0.4m Focus: Get closer than a paparazzo—backgrounds melt into buttery swirls, turning streets into Scorsese scenes.
  2. Flare as Flavor: Uncoated glow paints halos like Renaissance angels. Backlight? Call it free Kubrick lighting.
  3. Vignetting: Embrace the dark corners—they’re not flaws, but cinematic vignettes.

Film vs Digital: Two Lovers

  1. Film Romance
    • On Kodak Ektachrome, it’s 1960s National Geographic meets Wes Anderson—saturated yet subtle.
  2. Digital Sorcery
    • On a Leica M11, disable corrections—let its quirks sing. Purple fringing? Call it “free psychedelic filter.”

Who Needs This Lens?

Cinephiles with Cameras: Chasing Godfather-era gravitas
Street Shamans: Who see alleys as movie sets
Contrarians: Preferring vinyl crackle over Spotify HD

Avoid If: You pixel-peep, hate vignettes, or think “autofocus” isn’t cheating.


Final Verdict: The Unkillable Icon

The Super-Angulon 21mm f/3.4 is photography’s gateway drug—once you taste its cinematic brew, modern glass feels sterile. For the price of a Rolex Oyster, you gain:

  • A time machine to photography’s golden age
  • Proof that “flaws” can outshine clinical perfection
  • Bragging rights at camera clubs (“Mine glows under UV light”)

Rating:
🎞️🎞️🎞️🎞️🎞️ (film poets) | 📸📸📸🤍🤍 (zoombies)

“A lens that whispers: ‘The world is wider than you think—let me show you.’”


Pro Tips:

  • Flare Hack: Remove the hood—let its blue halos channel Blade Runner vibes.
  • Film Pairing: Ilford HP5+ @1600—grain dances with its glow.
  • Focus Zen: Zone-focus at 1m—street scenes snap into focus like fate.

Epilogue: The Wide-Eyed Rebel
Leica’s modern ASPH lenses may rule the charts, but the Super-Angulon remains stubbornly 1963—a brass-knuckled rebel whispering: “True artistry thrives in imperfection.” As Hitchcock proved, drama lives in the edges. Now go frame your world wider.

Filter: 48mm UV, VII.
Hood: 12501
Front cover: 14102
Rear cover: 14042
Stock: less than 6000.
Focus lever: metal crescent focus lever.
Minimum focusing distance: 0.4m

Leica 28mm f/2.8 Elmarit-M 9-Element Review: The Time-Traveling Poet

The Archaeologist’s Delight

In an era obsessed with megapixels, the 1965–1972 Leica Elmarit-M 28mm f/2.8 9-Element (v1) feels like unearthing a Stradivarius at a garage sale. Crafted when Apollo missions still dazzled the world, this 280g brass relic—priced at 1,800–1,800–2,500 (2025 USD)—offers something modern glass cannot: optical soul. Forget specs; this lens is a jazz improvisation in a world of autotune.


Continue reading Leica 28mm f/2.8 Elmarit-M 9-Element Review: The Time-Traveling Poet

Leica 28mm f/2 Summicron-M ASPH Review: The Modern Maestro—Where Precision Meets Poetic Depth

The ASPH Revolution

In Leica’s pantheon of 28mm lenses—from the Depression-era Hektor f/6.3 to the cult-classic Elmarit v4—the Summicron-M 28mm f/2 ASPH (2016–present) stands as Olympus among mortals. This 254g aluminum oracle merges Walter Mandler’s optical philosophy with 21st-century aspherical sorcery, delivering f/2 brilliance at $4,500. Forget “versatile”; this lens is photographic divinity incarnate.


Continue reading Leica 28mm f/2 Summicron-M ASPH Review: The Modern Maestro—Where Precision Meets Poetic Depth

Leica Tele-Elmarit-M 90mm f/2.8 “Thin Nine” Review: The Compact Contradiction

Prologue: The Featherweight Maverick

In a world where “bigger is better” reigns, the 1974–1989 Leica Tele-Elmarit-M 90mm f/2.8 (aka Thin Nine) swoops in like a hummingbird at a hawk convention. Weighing just 330g and priced between 250–250–500 (2025 USD), this aluminum-and-glass paradox is the Mini Cooper of telephoto lenses—nimble, quirky, and unapologetically flawed. Born to defy Leica’s “heft equals quality” dogma, it’s a cult classic for wanderers and rebels.


Design: Minimalist Sorcery

  1. Pocket Rocket
    • Body: Anodized aluminum (black) or chrome (silver)—slimmer than a James Bond paperback, lighter than a barista’s cappuccino. Collapses into M bodies like a pocketknife.
    • Generational Wars: The original “Fat Nine” (1964–1974) was a brass-clad bruiser; the Thin Nine traded muscle for marathon-runner agility.
  2. The Foggy Quirk
    • Prone to internal haze (think vintage spectacles in a sauna), its “breathing issues” divide collectors. Some call it cursed; others, character.

Optical Poetry: Sharpness Over Spectacle

AspectThin NineSummicron-M 90mm f/2
SharpnessScalpel slicing moonlightChainsaw through oak
BokehSoft-focus watercolorVelvet sledgehammer
WeightFeatherweight boxerUFC heavyweight
Drama🎭🎭🎭🤍🤍🎭🎭🎭🎭🎭
  • f/2.8 Wide Open: Center sharpness rivals modern APO glass; edges fade like a jazz saxophonist’s final note.
  • Flare Note: Unhooded, it paints golden halos like a Renaissance angel—perfect for accidental Kubrick moments.

The “Three Charms”

  1. Traveler’s Muse: Fits in a coat pocket—ideal for hikes, street jaunts, or pretending you’re Cartier-Bresson on a caffeine bender.
  2. Film Noir Vibes: On Tri-X @800, it renders shadows like Chinatown stills—gritty, moody, and full of secrets.
  3. Chinese Proverb Footnote:“瑕不掩瑜”
    (“Flaws cannot obscure the jade’s brilliance”)
    A nod to how its haze and quirks add mystique, not misery.

Who Needs This Lens?

Nomadic Shooters: Who measure life in miles, not megapixels
Flaw Collectors: Believing “character” > clinical perfection
Leica Hipsters: Craving underdog bragging rights (“Mine’s rarer than your APO!”)

Avoid If: You shoot weddings, fear haze, or think “vintage” means “eBay resale value.”


Final Verdict: The Beautiful Misfit

The Thin Nine is photography’s cult vinyl—a flawed gem for those who savor the hunt. For the price of a weekend in Lisbon, you gain:

  • A lightweight passport to 1970s optical rebellion
  • Proof that “imperfect” often means “unforgettable”
  • Permission to laugh at lens charts

Rating:
🎞️🎞️🎞️🎞️🤍 (film romantics) | 📱📱🤍🤍🤍 (pixel peepers)

“A lens that whispers: ‘Lightness comes at a price—but what a delightful one.’”


Pro Tips:

  • Haze Hack: Store with silica gel—it’s fussier than a Parisian sommelier.
  • Film Pairing: Kodak Double-X @800—grain dances with its glow.
  • Zen Mantra: Embrace the haze—call it “free Orton effect.”

Epilogue: The Wanderer’s Lens
Leica’s Thin Nine whispers: “Adventure isn’t found in perfection—it’s hiding in the flaws.” Like a well-loved passport stamped with questionable decisions, this lens rewards those who dare to wander. Now go chase light, haze and all. 🌄

Leica Tele-Elmarit 90mm f/2.8
Leica Tele-Elmarit 90mm f/2.8
Leica Tele-Elmarit 90mm f/2.8
Leica Tele-Elmarit 90mm f/2.8
Leica Tele-Elmarit 90mm f/2.8
Leica Tele-Elmarit 90mm f/2.8
Leica Tele-Elmarit 90mm f/2.8

Leica Elmar 90mm f/4 Review: The Unsung Poet of Vintage Glass

Prologue: The Bargain Balladeer

In a world obsessed with f/1.4 giants and ASPH wizardry, the 1954–1968 Leica Elmar 90mm f/4 sits like a forgotten first-edition Hemingway—timeless, undervalued, and quietly brilliant. Priced between 300–300–800 (2025 USD), this 180g aluminum-and-glass relic proves Leica magic doesn’t require a second mortgage. Think of it as the Volkswagen Beetle of lenses: humble, reliable, and endlessly charming.


Design: Minimalist Haiku

  1. Pocket-Sized Titan
    • Body: Anodized aluminum (black) or chrome (silver)—slimmer than a paperback, lighter than a barista’s latte. Collapses into Barnack bodies like a pocketknife.
    • A36 Filters: Tiny as a thimble, retro as a rotary phone.
  2. Generational Charm
    • Early “gourd-shaped” models (quirky collectors’ items) vs sleek later versions—like comparing a vintage typewriter to an iPad.

Optical Zen: Sharpness with Soul

AspectElmar 90mm f/4Modern APO-Summicron 90mm
SharpnessHemingway’s prose—lean, meanAI-generated perfection
BokehVan Gogh’s wheat fieldsCAD-rendered gradients
WeightFeatherweight boxerUFC heavyweight
Joy Factor🌞🌞🌞🌞🌞🌞🌞
  • f/4 Wide Open: Razor-sharp at the center, edges softened like a 1970s Polaroid—flaws turned features.
  • Stopped Down: At f/8, it out-resolves modern zooms, rendering eyelashes like piano wires.

Street Photography: The Slow Waltz

  1. Forces you to pause, observe, and frame—anti-Instagram therapy for the shutter-happy.
  2. On film (Tri-X @400), it’s Cartier-Bresson’s ghost nodding approval.

The “Three Delights”

  1. Stealth Mode: Tiny enough to vanish in your palm—street photography’s ultimate ninja tool.
  2. Bokeh Surprise: At 1.5m, f/4 mimics 50mm f/2’s depth—backgrounds melt into watercolor washes.
  3. Film Love: On Kodak Portra, skin tones glow like honey under Tuscan sun.

Who Needs This Lens?

Analog Purists: Who think autofocus is cheating
Budget Alchemists: Turning leaden prices into golden imagery
Contrarians: Who’d choose a typewriter over ChatGPT

Avoid If: You shoot sports, crave bokeh orgies, or fear manual focus.


Final Verdict: The Joyful Rebel

The Elmar 90mm f/4 is photography’s slow food movement—a brass-knuckled rebuttal to megapixel gluttony. For the price of a weekend in Prague, you gain:

  • A masterclass in Leica’s optical heritage
  • Proof that “slow photography” beats spray-and-pray
  • Bragging rights over gear snobs (“Mine cost less than your filter!”)

Rating:
🎞️🎞️🎞️🎞️🎞️ (film poets) | 📱📱🤍🤍🤍 (zoombies)

“A lens that whispers: ‘Greatness often hides in quiet corners.’”


Pro Tips:

  • Focus Hack: Pre-set to 5m—zone focus like a 1950s press photographer.
  • Film Pairing: Ilford FP4+ @125—film noir gravitas on a budget.
  • Digital Love: On a Leica M11, add +10 grain—flaws become art.

Epilogue: The Poet’s Lens
In an age of f/1.2 monsters and computational hype, the Elmar 90mm f/4 stands like a bamboo grove—bending but unbroken. It whispers: “Photography isn’t about capturing light—it’s about catching your breath.” Now go shoot something slow.

The Leica M8 With Elmarit 21mm f/2.8 Pre-ASPH E60

The Leica M8’s Love Affair with the CCD Camera.

When you decide to give up the ccd camera, perhaps unexpectedly, the ccd camera will also quietly leave you. I, on the other hand, am deeply grateful to be able to use the Leica M8 with the Elmarit 21mm f2.8 E60 to take tons of wonderful ccd photos. I can’t wait to tell you that this lens is without a doubt the perfect partner for the Leica M8.

The excellence of the Leica m8.

I firmly believe that the Leica m8 is an exceptional camera. In these challenging times of full-frame ccd technology, Leica’s aps-h format for the m8 shows significant advantages over the aps-c format of common DSLRs. Admittedly, not being full-frame, the camera loses some of the lens’s field of view in use, but the APS-H’s 1.33 equivalent conversion makes a 21 mm lens equivalent to 28 mm and manages to capture the best image quality areas of a 21 mm lens. As a result, film shot with the Leica M8 has a very high degree of sharpness.

The lens is a wonderful match for the m8.

When this lens is combined with the m8, the results are extremely impressive. Not only are the colors vibrant, but the sharpness is excellent. I am in love with its colors, which in my opinion are even more captivating than the Leica Elmarit 21mm asph version .

How the lens performs on the M8 vs. M9.

Half of the time this lens was mounted and used on the m9, the other half of the time it was mounted on the m8. I was actually more impressed with the color performance on the M8. Although it’s hard for me to say exactly why, it always seemed to me that the m8’s ccd was able to show its color appeal more fully.

Street photography is like a solo trip, in this field some people recognize the 35mm lens, while others prefer the 28mm lens. I, on the other hand, don’t get hung up on which lens to use. I have always believed that photographers should be willing to experiment. In fact, this 21mm lens with the Leica M8 is my favorite combination. I love it even more than the 28mm lens on the m9, even though they have the same field of view.

Voigtlander Nokton Classic 35mm F1.4 II VM

Leica isn’t the only brand offering M-mount lenses. Some other companies have also launched lenses for the Leica M. In the days of film, some Japanese lens manufacturers would make their best lenses into Leica mounts. For instance, there’s the Konica Hexanon 28mm 2.8, the Konica Hexanon 50mm 2, the Konica Hexanon 28mm 2.8, the Konica Hexanon 50mm 2.4 limited edition, the Konica Hexanon 35mm 2 limited edition, the Konica Hexanon 60mm 1.2 limited edition, the Konica Hexanon 50mm 1.2 limited edition, the Konica Card Hexanon dual 21-35 3.4-4 dual focus head limited edition. Also, we have the Minolta M-RIKKOR 40mm 2, the Minolta M-RIKKOR 28 2.8, and the Minolta M-RIKKOR 90 2.8. There are also the Ricoh GR 28mm 2.8 L39 limited edition and the Ricoh GR 21mm 2.8 L39 limited edition. There are also Rollei Sonnar 40mm 2.8 L39 Limited Edition, Rollei Planar 80mm 2.8 L39 Limited Edition, Minolta G-Rokkor 28mm 3.5 Limited Edition, Pentax Pentax 43mm 1.9 L39 Limited Edition, and so on. Today, I want to talk about Voigtlander’s 35mm 1.4 lens.

The Voigtlander M-mount 28mm f2 lens I have used has distortion, and this 35 1.4 lens also has distortion, especially when compared with the original Leica 35mm lens. This kind of distortion will not always be noticed by you. It can only make you feel a little unnatural under certain circumstances. If you use Leica lenses for a long time, you will have a mental expectation of the photos you take. If the expectation of Leica lenses is 90 points, then if you switch to Voigtlander, I will adjust it to 60 points. Hey, this is the feeling, you can’t The standards for Leica require Voigtlander.

It’s not a Leica. The details in the dark areas aren’t as sharp, the grayscale isn’t as natural as the Leica, the highlights are easily uncontrollable, and the performance on a digital camera isn’t as good as on film. But the price of the Voigtlander vm35 1.4 is very attractive, and what’s even more attractive is its appearance. It looks exactly like the Leica summilux 35 1.4 first edition.

I’ve found that the multi-coated version of the Voigtländer vm35 1.4 mc doesn’t quite match the color quality of the Leica summilux 35mm and Zeiss zm 35mm 1.4. The color is a bit unnatural. The single-layer coated version of the Voigtländer vm35 1.4 sc is great for shooting black and white, and it’s really good for shooting black and white film.

I wouldn’t recommend that Leica M users start with the Voigtlander vm35 1.4 as their first lens. It doesn’t match up to any Leica 35mm lens, and you can’t appreciate the wide-angle advantage of Leica rangefinder cameras. On the other hand, if you already have a bunch of Leica 35mm lenses but like the way the Voigtlander VM 35mm f/1.4 Nokton Classic looks, then I think you can go for it.