Gear Archives - Page 16 of 19

Lomography x-pro 200

Novel Aromas

In the decade when traditional film production declined and many companies went bankrupt in the late 20th and early 21st centuries, Lomography, a trendy form of photography, became immensely popular among young people worldwide. However, it was not until around 2012, when photography filters and a deluge of Lomo-style apps flooded the market for smartphones, that Lomography’s rampant growth was truly challenged.

Today, people can easily switch to various Lomo filters on their phones, without realizing that the exaggerated colors they admire actually come from Lomo film. Few people now seem to intentionally experiment with Lomo film, except for software engineers who need to simulate Lomo effects.

Warm Currents in the Air

What defines true Lomo photography? My conclusion is that at least one of the following must be present: a plastic camera body, expired film, or cross-processed slide film. Lomo cameras have cute plastic bodies that leak light and can use pinhole or plastic lenses to produce unexpectedly artistic effects. Expired color film can also create vintage or surreal colors, and some Lomo enthusiasts enjoy collecting various expired rolls. All slide film can actually be cross-processed, and this process yields an astonishing impact on contrast, grain, and colors, giving rise to a unique artistic effect.

Lomography X-Pro 200 is a slide film that can be processed as a color negative (C-41) film, producing true Lomo photography. The film’s name, X-Pro, indicates that cross-processing is required to achieve Lomo effects. The cross-processed X-Pro 200 yields a healthy skin tone, rich teal, aged indigo, rough grain, and countless other emotional sensations that defy description.

Perfect Artworks or Perfect Feelings

Sadly, Lomography X-Pro 200 is now difficult to find, and if it is discontinued, it will be a great loss for many Lomo enthusiasts who cherish this film.

Stock up on the Lomography X-Pro Slide 200 135 format slide film for whacked out colors, huge contrast and insane saturation.
Film Type:	attribute_value_Color Slide Film
ISO:	200
DX code	No:
Development:	attribute_value_Cross Processing - C-41, Regular Processing - E6
Exposures:	12
Pack Size:	3

Kentmere Pan 400 Black and White Film

ISO 400 black and white film is a popular choice for capturing human subjects due to its high tolerance and larger grains. Kodak Tri-X 400 has gained a devoted following for its ability to handle push processing, allowing it to be used at ISO 800 or even pushed to ISO 3200. However, Kentmere 400, the film we are discussing today, is best used at its rated ISO 400 and should not be pushed beyond that. Its pricing reflects this recommendation.

Regarding Kentmere’s contrast, the film’s manufacturer remains a mystery, with some speculating it could be Ilford due to their shared UK base. Nonetheless, Ilford’s PAN 400 is considered to be of superior quality compared to Kentmere. Kentmere struggles with low-light situations and tends to produce deep blacks, leading to an overall high contrast look that can make images appear harsh, particularly when shooting with high contrast lenses or in high contrast scenes. Personally, I find it best to avoid using Kentmere in bright noon sunlight.

On the other hand, Kentmere 400 performs exceptionally well for indoor and subway portraits, creating a clean, bright look reminiscent of its white packaging. It appears to have a built-in half-stop yellow filter effect and also handles foggy weather with ease.

Leica in Babylon Berlin Season 4

Babylon Berlin has reached the fourth season, a lot of night scenes, indoor light sources, certainly used Leica film lenses …… This is a very careful about photography episodes. Already to the fourth, very good oh, full of details. The first episode showed a Leica camera, and flash.

Contax g2 Planar 45mm f2 Black&White

Brand Name	CONTAX
Filter Size	46MM
Focus Type	AUTOFOCUS (CAMERA MOTOR)
Lens Mount	CONTAX G
Lens Type	STANDARD / NORMAL
Max Focal Length	45MM
Min Focal Length	45MM

Leica M6

I’ve always cherished Leica cameras for their blend of beauty and utility, and the Leica M6 stands out as a masterpiece. It’s intuitive, reliable, and—for me—the heart of my collection alongside the M3, M2, and CL.

Metering Magic

In film photography, exposure is everything. The M6’s built-in TTL (Through-The-Lens) metering system is a revelation—precise and stable, reading light off the shutter curtain with uncanny accuracy. Forget the “Sunny 16” rule’s guesswork; this camera gives me confidence to nail every shot, especially when transitioning from digital to film. It’s a trusted ally for capturing fleeting moments without second-guessing.

Iconic Design

The M6’s look is pure Leica: sleek lines, a bold red dot, and a choice of silver TTL or black Classic finishes. I started with the silver TTL, but the black body’s mystique won me over—its understated elegance keeps my focus on the frame. At 580g (body only), it’s hefty yet balanced, a tactile reminder of German craftsmanship.

A Personal Passion

My Leica journey began with the groundbreaking M3, moved to the compact CL, and peaked with the M6. That red dot isn’t just a logo—it’s a symbol of my devotion to photography’s art. After a decade with these cameras, the M6 remains my go-to for its blend of legacy and function.

Tech Note:

Metering: TTL, center-weighted
Shutter: 1s to 1/1000s, mechanical
Weight: 580g (body)
Price (2024): ~$2,500-$3,500 used

Manufacturer: Schneider-Kreuznach – Leica
Optics: 8 elements in 4 groups
Aperture range: f/3.4 to f/22
Filter: M 48 X 0.75 Thread – or Series 7 (held in place by the hood)
Maximum Outer Diameter: 52.5mm
Weight: about 250g (black version, without caps)
Lens code number: 11103
Lens hood code number: 12501 (12501M)
Front lens cap code number: 14102 (A52.5)
External viewfinder code number: 12002
Leather case for viewfinder code number: 14617

more info

Leica leica super angulon 21mm f/3.4 + kodak tri-x 400

leica elmarit-m 28mm f2.8 ASPH Black & White Film

This lens is optimised for digital photography and has significantly reduced image field curvature in comparison to the previous model.
Used Leica Elmarit-M 28mm F2.8 ASPH Lens (11677) W/ Box, Case, and Lens hood, and all caps.