Category: Gear

My gear.

  • Leica Summicron 50mm f/2 Radioactive

    Leica Summicron 50mm f/2 Radioactive

    Collapsible Lens The Summitar 50 f/2 is the predecessor of the Summicron 50mm f/2. This lens uses new glass and a new design, which brings its optical level up to a higher level than its predecessor. At the same time, it also has the same compact structure and light weight as its predecessor lens. But…

  • Leica Summicron-M 35 f2 ASPH

    Leica Summicron-M 35 f2 ASPH

    The key to opening the door Maybe a small, exquisite, and beautiful 35mm lens can change your view of photography or give you a different photography style. The Leica Summicron 35mm f/2 Asph is the key to opening the door of street photography for you. Versions The Leica Summicron lens has always been a popular…

  • Contax G45mm F/2 Planar

    Contax G45mm F/2 Planar

    As good as a Leica I’ve found that the Contax G45 lens is just as good as the Leica Summicron 50 lens. I’ve taken some great photos with it, and I’d say the G45 is my favorite G lens. This lens has very high definition, and it’s a Zeiss lens, so the image quality is…

  • Contax G90 f/2.8 sonnar

    Contax G90 f/2.8 sonnar

    Sharp Lens The Contax G90 2.8 is the longest focal length in the Contax G series and the sharpest lens in the series. Word on the street is that this G90 is just as sharp as the Leica 90mm f2 AA at f2.8. The price is very competitive, in fact it’s cheaper than several other…

  • Contax G2

    Contax G2

    What you missed, you can have now Once the Contax G2 hit the market, we were well and truly in the digital age. When I look back at the film cameras of the day, they were really beautiful. It’s hard to believe how many people were drawn to those ugly digital cameras. Time can be…

  • Contax G1

    Contax G1

    Time and tide wait for no man, but cameras wait! Time flies, doesn’t it? Some cameras have been left behind by the times before they had a chance to keep up. I was instantly smitten with the Contax G1 the first time I laid eyes on it. And it’s not just the camera’s aesthetic appeal…

  • LEICA 21mm f/3.4 LEITZ SUPER-ANGULON REVIEW

    Schneider developed the Leica Super-Angulon 21mm, which Leitz later brought to market. It can focus very close (0.4m) and produces a bokeh. This lens is sharp and produces beautiful images. Not suitable for landscapes In general, 21mm lenses can shoot a wide range of subjects and require a 21mm lenses can shoot many subjects, but…

  • Leica 35mm f/1.4 Summilux II Pre-asph

    Glow The lens has a slightly soft focus, suffers from chromatic aberration, and vignettes at its maximum aperture of f/1.4. When shot wide open, it produces a soft, dreamy glow with shallow depth of field, and swirly bokeh, which is why it is nicknamed the ‘Leica glow.’ This type of soft and dreamy bokeh is…

  • LEICA SUMMICRON-R 50MM F/2 E43

    Leica R lenses can be designed using M lens designs, but only for long focal lengths. This is because the last glass element of rangefinder telephoto lenses is far away from the film plane, so a reflex mirror can be placed in the middle gap, for example, for 90mm and 135mm lenses. The standard 50mm…