
I walked alone with my Minolta 100mm-200mm f4.5, the kind of lens that feels like an old friend—light, unassuming, yet always ready to show me something new. The sky was a deep, unblemished blue, the kind of blue that makes you think of forgotten jazz records spinning in a quiet room. I looked up, as I often do, and there it was: an airplane slicing through the emptiness, leaving two white contrails behind, like the faint traces of a memory I couldn’t quite place. Not far off, a flock of birds circled in the high air, their wings catching the light in a way that felt almost deliberate, as if they were writing a message I’d never decipher. I stood there, the shutter clicking softly, feeling the weight of the moment settle into me—a strange, gentle happiness, like the last note of a song fading into silence.
