The reason why reflection is popular in photography is not because it looks like a mirror, but because if you flip the photo, you will see that this perspective makes the figure look more magnificent, yes, this perspective comes from the horizon.

The reason why reflection is popular in photography is not because it looks like a mirror, but because if you flip the photo, you will see that this perspective makes the figure look more magnificent, yes, this perspective comes from the horizon.
I’ve developed a good habit: when I’m on my phone, I always stop and stand, and I’ve firmly given up the bad habit of walking and looking. This change came from a big wake-up call. I tripped over an iron screw on the road, fell on all fours, and the phone flew out several meters away, which was quite a mess. Luckily, there was no one around at the time, which prevented the situation from becoming a bigger deal. I was lucky that I didn’t bring my camera that day, or it would have been a disaster. I was also lucky that there were no street photographers around, or it would have become another “accidental scenery” photo. It turns out that those missing warning stakes of the barricade screws are hidden in the daily invisible traps, always reminding us to walk when we need to be more vigilant.
Photographers are magicians. They can freeze time and make the world black and white. Black and white, 0 and 1—this is the starting point of all magic.
Vivian Maier captured a lot of portraits of people with a sense of the times, which made me realize that street photography doesn’t require a lot of compositional skills. Just take a picture of what you see and keep taking pictures of it. That approach will definitely be right. Because over time, even the most ordinary things can become unusual, and every person without expression can become meaningful. Time itself is an artist.
In many cases, when the subject is aware that you’re taking pictures of him, he’ll often appear less relaxed. Only photographers who can blend in can capture the real face. Clearly, I’ve got this down pat. Haha.
I’ve been paying a lot of attention to handshakes lately, photographing them as I come across them, after all, they are one of the most obvious human interactions. You are limited by what you have.
Don’t just ride your bike and forget to smile at the world! The world is always recording your every expression, so make sure it’s a happy one!
Street photography is like an impromptu movie you watch for free in the real world. As you walk down the street, you see everyone as the star of their own story. The photographer captures all those little moments, like the way people move, what they look like, and the way they bump into each other. It’s as if the director never said “cut.” The drama of life has been captured on camera, and you are the audience and recorder.
You don’t need a script or an actor to rehearse because the most real and touching moments often happen in the most unconscious moments. People walking, talking, smiling, frowning, and every subtle change of expression and natural twist of the body are like the invisible director’s interpretation of their plot for you. All you need to do is stand back, use your own unique perspective and keen perception to capture those fleeting images, as if you were using someone else’s body to tell a colorful story of theirs and the world.
As I’m taking the photo, I suddenly realize that I’m about to bump into a group of people on the other side of the street. There’s a moment of tension in the air as we both move towards each other. In the blink of an eye, I took the photo, capturing the moment when we were about to meet but had never really touched each other.
This photo isn’t just a clever blend of light and color. It’s also a subtle capture of emotions and stories. It goes beyond the everyday look of things and captures the subtle sense of distance between people and the unknown stories that are about to happen. In the picture, the pedestrian’s expression might be with a hint of surprise, a hint of a smile, or immersed in their own world of calm. These real and natural moments are the essence of the “street feeling.”
These photos can make you forget the photographer is even there. It’s as if these moments were already in the world, waiting to be discovered and recorded. There’s no posing or fancy sets—just the raw, unfiltered reality of life and the simplest ways people interact.
When people enjoy these photos, they often find themselves entering into the scene, imagining they’re the one walking on the road or the photographer who pressed the shutter. They can feel the sudden surprise and warmth of a chance encounter in a busy city. Sharing this “street feeling” isn’t just about looking at pictures. It’s about connecting with people on a deeper level. It’s a way to find a little bit of peace and comfort in the midst of a fast-paced modern life.
This kind of photography can often transcend time and space, creating a bridge between the photographer and the audience. It allows people to find beauty in the everyday.