Leica Summicron 50mm f/2 Collapsible “Radioactive Yellow Glass” Review: The Alchemist’s Elixir

Prologue: When Radiation Meets Poetry

Imagine if Van Gogh’s Starry Night were forged into glass—glowing with eerie beauty, unapologetically imperfect. The 1956–1968 Leica Summicron 50mm f/2 Collapsible “Yellow Glass” (aka Radioactive Cron) is photography’s answer to a vintage whiskey: aged, complex, and slightly dangerous. Priced at 1,500–1,500–12,000 (2025 USD), this 200g brass-and-thorium relic defies modern logic. Born in an era when engineers played God with radioactive elements, it’s the James Dean of lenses—rebellious, iconic, and forever young.


Design: The Mad Scientist’s Blueprint

  1. Toxic Cocktail
    • Glass Recipe: 3 lanthanum layers + 1 thorium core + 1 lead-infused rear element—a periodic table party banned by 1980s environmentalists.
    • Collapsible Sorcery: Folds like a pocketknife, weighs less than a paperback.
  2. The “Yellowing” Phenomenon
    • Thorium decay tints the glass like aged Scotch, casting a golden haze. Fear not:
      • Digital: Auto white balance neutralizes it—no Instagram filter needed.
      • Film: Kodak Ektachrome laughs at the tint; Fuji Pro 400H embraces it as “vintage warmth.”

Optical Alchemy: HCB’s Secret Weapon

AspectYellow Glass SummicronModern APO-Summicron
SharpnessHemingway’s prose—direct but soulfulChatGPT precision
ContrastMorning fog over the SeineHigh noon in Death Valley
BokehMonet’s brushstrokesCAD-rendered circles
Radiation Charm☢️☢️☢️☢️☢️🤖
  • Low-Light Wizardry: Thorium glass absorbs UV/IR, rendering twilight scenes like Rembrandt’s chiaroscuro. Henri Cartier-Bresson’s shadowy Parisian alleys? Thank radioactive decay.
  • Skin Tones: Renders complexions like honey-drizzled marble—flaws softened, humanity amplified.

Myth-Busting: Radiation & Risks

  1. Health Fears:
    • Fact: The dose is weaker than a transatlantic flight. Sleeping with it under your pillow for 50 years ≈ 1 dental X-ray.
    • HCB Proof: The man shot with it into his 90s. (Though he probably swapped lenses more than socks.)
  2. Film Damage:
    • Leaded rear glass blocks 99% of radiation. Leave a roll in your M3 for a year? You’ll get slightly vintage fog—call it “free VSCO preset.”

Shooting Experience: Time Travel in Your Palm

  1. Digital Love Affair
    • On a Leica M11, it’s Ansel Adams meets Wes Anderson—sharp yet nostalgic. Disable profiles; let its golden flaws dance.
  2. Film Romance
    • Tri-X @1600 + this lens = film noir reborn. The thorium glow caresses grain like a jazz saxophonist.
  3. The “Three Miracles”
    • f/2: A dream sequence—soft focus becomes artistic intent.
    • f/4: Suddenly sharper than a New Yorker’s wit.
    • f/8: Reveals CCD-like microcontrast (Leica M8 owners, rejoice).

Who Needs This Lens?

Poets with Light Meters: Who see grain as texture, not noise
Vintage Alchemists: Collecting radiation like rare spices
Contrarians: Who’d choose a vinyl crackle over Spotify HD

Avoid If: You shoot weddings, fear EPA audits, or think “AI bokeh” is progress.


Final Verdict: The Forbidden Fruit

The Radioactive Summicron is photography’s yin-yang—harmony in opposing forces. For the price of a Rolex Submariner, you gain:

  • A ticket to 1950s optical rebellion
  • Proof that “dangerous” often means “unforgettable”
  • Bragging rights at camera clubs (“Mine glows in the dark!”)

Rating:
🎞️🎞️🎞️🎞️🎞️ (film romantics) | 📱🎞️🎞️🤍🤍 (digital pragmatists)

“A lens that whispers: ‘True magic lies in the flaws we dare to preserve.’”


Pro Tips:

  • UV Test: Shine a blacklight—watch the thorium glow like Tron’s legacy.
  • Clean Carefully: Use a lead-lined cloth (kidding… mostly).
  • Chinese Proverb Footnote:“毒草亦能开花”
    (“Even poison weeds can bloom”—celebrating beauty in the forbidden*)

Epilogue: The Last Alchemist
In a world obsessed with clinical perfection, the Yellow Glass Summicron stands as a brass-clad rebel. It whispers: “Your camera isn’t a machine—it’s a wand.” Handle it with respect, shoot with abandon, and let its golden glow remind you: the greatest risks often yield the richest rewards. As Bresson might say, “There are no bad lenses… only boring photographers.” Now go make some beautiful trouble.

Leica Summicron 50mm f/2 Radioactive
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
Leica Summicron 50mm f/2 Radioactive
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
Leica Summicron 50mm f/2 Radioactive
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
leica summicron 50mm(5cm) f/2 radioactive yellow glass screw mount ltm l39
Leica Summicron 50mm f/2 Radioactive
Leica Summicron 50mm f/2 Radioactive
Leica Summicron 50mm f/2 Radioactive
Leica Summicron 50mm f/2 Radioactive
Leica Summicron 50mm f/2 Radioactive
Leica Summicron 50mm f/2 Radioactive

Leica Super-Angulon 21mm f/3.4 Review: The Wide-Angle Wizard

Prologue: A Cinematic Dream in Brass

In 1963, Leica and Schneider joined forces like Lennon and McCartney, birthing the Super-Angulon 21mm f/3.4—a lens that redefined wide-angle photography. Priced today between 800–800–1,600 (2025 USD), this 280g chrome-and-brass marvel weighs less than a vintage typewriter yet packs the visual punch of an IMAX screen. Forget modern aspherical beasts—this lens is a 1967 Ford Mustang in a world of Teslas: raw, charismatic, and utterly irreplaceable.


Design: Bauhaus Meets Hollywood

  1. Miniature Titan
    • Body: Machined brass—dense as a Tolstoy novel, compact as a Zippo lighter. Smaller than Leica’s 35mm “8-Element,” yet wider than your imagination.
    • Focus Throw: 180° sweep from 0.4m to ∞—a street photographer’s tango.
  2. Schneider’s Secret Sauce
    • Born from Schneider’s cine lens DNA (think Cinegon series), it’s the Marlon Brando of optics—unconventional, intense, and dripping with character.

Optical Alchemy: Painting with Light

AspectSuper-Angulon 21mm f/3.4Modern 21mm f/1.4 ASPH
SharpnessHemingway’s prose—direct yet soulfulGPT-4 precision
ContrastFilm noir shadowsInstagram filter
BokehButter churned by monksMargarine from a factory
Magic🎥🎥🎥🎥🎥📱
  • f/3.4 Wide Open: Center sharpness cuts like a samurai sword; edges dissolve into Monet’s brushstrokes.
  • Color Rendering: Blues deeper than the Mediterranean, greens richer than Bavarian forests—Kodachrome reborn.
  • Black & White: Tri-X film + this lens = Ansel Adams meets Fritz Lang. Microcontrast so rich, you’ll taste the grain.

The “Four Miracles”

  1. 0.4m Focus: Get closer than a paparazzo—backgrounds melt into buttery swirls, turning streets into Scorsese scenes.
  2. Flare as Flavor: Uncoated glow paints halos like Renaissance angels. Backlight? Call it free Kubrick lighting.
  3. Vignetting: Embrace the dark corners—they’re not flaws, but cinematic vignettes.

Film vs Digital: Two Lovers

  1. Film Romance
    • On Kodak Ektachrome, it’s 1960s National Geographic meets Wes Anderson—saturated yet subtle.
  2. Digital Sorcery
    • On a Leica M11, disable corrections—let its quirks sing. Purple fringing? Call it “free psychedelic filter.”

Who Needs This Lens?

Cinephiles with Cameras: Chasing Godfather-era gravitas
Street Shamans: Who see alleys as movie sets
Contrarians: Preferring vinyl crackle over Spotify HD

Avoid If: You pixel-peep, hate vignettes, or think “autofocus” isn’t cheating.


Final Verdict: The Unkillable Icon

The Super-Angulon 21mm f/3.4 is photography’s gateway drug—once you taste its cinematic brew, modern glass feels sterile. For the price of a Rolex Oyster, you gain:

  • A time machine to photography’s golden age
  • Proof that “flaws” can outshine clinical perfection
  • Bragging rights at camera clubs (“Mine glows under UV light”)

Rating:
🎞️🎞️🎞️🎞️🎞️ (film poets) | 📸📸📸🤍🤍 (zoombies)

“A lens that whispers: ‘The world is wider than you think—let me show you.’”


Pro Tips:

  • Flare Hack: Remove the hood—let its blue halos channel Blade Runner vibes.
  • Film Pairing: Ilford HP5+ @1600—grain dances with its glow.
  • Focus Zen: Zone-focus at 1m—street scenes snap into focus like fate.

Epilogue: The Wide-Eyed Rebel
Leica’s modern ASPH lenses may rule the charts, but the Super-Angulon remains stubbornly 1963—a brass-knuckled rebel whispering: “True artistry thrives in imperfection.” As Hitchcock proved, drama lives in the edges. Now go frame your world wider.

Filter: 48mm UV, VII.
Hood: 12501
Front cover: 14102
Rear cover: 14042
Stock: less than 6000.
Focus lever: metal crescent focus lever.
Minimum focusing distance: 0.4m

Leica 28mm f/2.8 Elmarit-M 9-Element Review: The Time-Traveling Poet

The Archaeologist’s Delight

In an era obsessed with megapixels, the 1965–1972 Leica Elmarit-M 28mm f/2.8 9-Element (v1) feels like unearthing a Stradivarius at a garage sale. Crafted when Apollo missions still dazzled the world, this 280g brass relic—priced at 1,800–1,800–2,500 (2025 USD)—offers something modern glass cannot: optical soul. Forget specs; this lens is a jazz improvisation in a world of autotune.


Continue reading Leica 28mm f/2.8 Elmarit-M 9-Element Review: The Time-Traveling Poet

leica summicron-m 35mm f2 v1 8-element

leica summicron-m 35mm f2 v1 8-element

I’d heard about this lens before I even owned a Leica camera. I’d heard from older colleagues how great the first-generation Summicron 35mm lens is. It wasn’t until I got my own Leica camera and put it on this legendary lens that I could confirm what my colleagues had said. It’s really excellent.

I often use this lens with black and white film, and it has consistently delivered excellent results. It has high definition, overly natural grayscale, rich shadow sculpting, and the colors are pretty good, too. This lens is pretty solid, whether you’re using it with a digital camera or a film camera.

leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element
leica summicron-m 35mm f2 v1 8-element

Leica M4

leica m4 + elmarit 28mm 2.8 v1

To be honest, the Leica M4 is the top-of-the-line camera in the entire Leica M series. It’s got the most advanced film loading and rewinding systems, the most ergonomic film advance lever, and the most advanced black chrome plating technology. A brand new black chrome M4 is considered to be first-class in terms of both technology and workmanship. Plus, you can still find a top-of-the-line black chrome M4 at a reasonable price. Black chrome is more durable than black paint, but collectors prefer the latter because brass shows through where the paint has worn off.

There’s nothing quite as alluring as a black paint Leica camera. Once you get your hands on a black paint Leica, you can’t let it go. The worn-off black paint on the brass gives it a kind of glow that reminds us of the history of our rise and fall. It’s inspiring, really.

Black paint is becoming more and more popular, and the price keeps going up. Another option is to buy a current version of the black paint MP, since it hasn’t been discontinued yet, and even used ones often look like new.

In the past, black Leicas were a great help to war photographers, and now those same photographers have contributed to black paint Leicas. When you wear a black paint Leica M4 on your chest, you’re reminded of the masters, which gives you even more courage and strength. If this is true, then such a camera is truly priceless. Leica has become a cultural symbol, at least that’s how they promote themselves.

The Leica M4 stands out for its speed. It loads, advances, and rewinds film quickly, which is really useful. The M4 also has a combination of the M3 and M2 structures, with the counter from the M3 and the viewfinder from the M2. It was sold at a higher price than the M2 and M3 at the time. So, no matter what color it is, the Leica M4 is a really user-friendly camera.

The M4 was the first model to have a bent corner and a plastic washer on the film advance lever. This design increased the contact area of the thumb during film advance, so the thumb could slide along the edge of the body to the end. The classic film advance lever on the M3 looks good, but when the film is fully advanced, the finger has to leave the body, which reduces grip stability. The M4’s film advance lever design makes it easier for your thumb to move, which actually speeds up film advance and increases grip stability. The Leica M4’s film advance lever is designed with ergonomics in mind.

The Leica M4 also loads film pretty quickly. This fast film loading feature was inherited from the military versions of the Leica M2 and M2-R.

leica m4 + elmarit 28mm 2.8 v1
leica m4 + elmarit 28mm 2.8 v1
Continue reading Leica M4

Ilford Pan 400 35mm film

Affordable Film

My friends and I both like the Ilford PAN 400. It is affordable, the speed of iso400 is particularly suitable for daily street photography, and it has comfortable and natural tones. You can develop it yourself at home and use a scanner to get good quality images. And happily, it’s flat and easy to scan.

iso200-1600

You can also get good image quality by exposing -2 or +1 stops. You know, it is used as iso1600. It’s not grainy, but has good clarity and high contrast. The most valuable thing is that it is not afraid of the dark. Dark areas can be expanded with nice detail. Although it is not as clear and sharp as the more advanced Ilford delta, as a cheap daily use roll, it is enough to make me happy.

Popular 35mm film

Ilford PAN 400 is the film I use the most. It’s not that I don’t pursue clear image quality, but street photography requires a lot of shooting, which wastes a lot of film. Economic factors also need to be considered. After all, film photography is a relatively luxurious thing these days. Moreover, choosing 35mm film photography is not just for the pursuit of clarity. If you pursue clarity, you can use 120 film. Or, digital cameras, mobile phones. But what I like is film photography, shooting slowly and not rushing to check the results.

Ilford pan400

Contax g2 Planar 45mm f2 Black&White

Brand NameCONTAX
Filter Size46MM
Focus TypeAUTOFOCUS (CAMERA MOTOR)
Lens MountCONTAX G
Lens TypeSTANDARD / NORMAL
Max Focal Length45MM
Min Focal Length45MM

leica elmarit-m 28mm f2.8 ASPH Black & White Film

leica m3 + leica elmarit-m 28mm f2.8
This lens is optimised for digital photography and has significantly reduced image field curvature in comparison to the previous model.
Used Leica Elmarit-M 28mm F2.8 ASPH Lens (11677) W/ Box, Case, and Lens hood, and all caps.

more info

leica m3 + leica elmarit-m 28mm f2.8
Continue reading leica elmarit-m 28mm f2.8 ASPH Black & White Film

leica summilux-m 35 1.4 v1 steel rim with blak&white film

leica summilux-m 35 1.4 v1 steel rim
Lens mount - Leica M-bayonet
Number of lenses /groups - 7 /5
F stop range - f/1.4-f/16
Angle of view diagonal - 64 degrees
Filter type - E41 - A46.5
Accessories - Hood: OLLUX 12522
Dimensions length x diameter - 38 x 53 mm / 1.50 x 2.07 in
Weight - 245 g /8.64 oz M3 - 195 g / 6.88 oz

more info

leica summilux-m 35 1.4 v1 steel rim
Continue reading leica summilux-m 35 1.4 v1 steel rim with blak&white film