Contax G2 Review: The Forgotten Haiku of Analog Photography

Prologue: The Autumn Leaf in a Digital Storm

In an era where pixels multiply like dandelion seeds, the Contax G2 drifts into view like a maple leaf preserved in a vintage book—fragile, poetic, and stubbornly beautiful. Priced between 600–600–1,200 (2024 USD), this titanium-clad relic is the antique pocket watch of film cameras: intricate, undervalued, and ticking with analog grace. Think of it as the quiet companion you’d find in a forgotten library, whispering stories of a time when light was measured in silver halide, not megapixels.


Design: Porsche’s Haiku

  1. Bauhaus in Titanium
    • Body: Brushed metal and matte finishes—cold as a Bavarian winter morning, yet balanced like a Zen rock garden. Fits in a coat pocket like a folded love letter.
    • Lens: Carl Zeiss glass, sharper than a samurai’s blade and warmer than a hearth—28mm f/2.8 to 90mm f/2.8, each a stanza in an optical poem.
  2. The Weight of Intent
    • Dense enough to feel purposeful, light enough to forget you’re carrying it—a paradox wrapped in Japanese-German engineering.

Optical Alchemy: Time Travel in a Frame

AspectContax G2Fujifilm X-Pro3
Focus SpeedA falcon diving for preyA commuter missing their train
BokehVan Gogh’s Starry NightA spreadsheet gradient
Soul🖋️🖋️🖋️🖋️🖋️💻
  • Autofocus: Snaps to clarity like a novelist finding the perfect word—startlingly fast for a ’90s relic.
  • Manual Focus: A hidden dial for purists, turning focus into a meditative ritual.

The “Three Truths”

  1. Film’s Ephemeral Dance: Burns through rolls like pages in a diary—each frame a fleeting confession.
  2. Flaws as Features: LCD counters bleed ink like aging calligraphy; plastic grips shed skin like a snake—wabi-sabi in motion.
  3. Chinese Proverb Footnote:“榫卯相合”
    (“Mortise and tenon joinery”)
    A nod to how this camera interlocks analog craftsmanship with digital curiosity, like ancient woodwork defying time.

Film vs Digital: A Garden in Two Seasons

  1. Film Romance: On Kodak Portra 400, it’s Hemingway in Paris—grainy, raw, and drenched in golden-hour longing.
  2. Digital Age: Fuji’s X-Pro3 feels like a ChatGPT sonnet—polished but sterile, missing the coffee stains and dog-eared corners.

Who Needs This Camera?

Analog Archivists: Who believe imperfection is the soul of art
Minimalist Poets: Seeking “less tech, more texture”
Contrarians: Who’d choose a typewriter over a touchscreen

Avoid If: You crave autofocus speed, hate quirks, or think “vintage” means “obsolete.”


Final Verdict: The Unlikely Time Capsule

The G2 isn’t just a camera—it’s a kintsugi masterpiece, mending analog’s cracks with titanium and grit. For the price of a weekend in Kyoto, you gain:

  • A relic from photography’s last romantic rebellion
  • Proof that “outdated” often means “undervalued”
  • Permission to ignore megapixels and chase ghosts

Rating:
🎞️🎞️🎞️🎞️🎞️ (film alchemists) | 📱📱🤍🤍🤍 (zoombies)

“A camera that whispers: ‘The past is not dead—it’s just waiting to be rediscovered.’”


Pro Tips:

  • Battery Hack: Use SR44 cells—avoid the dreaded mid-roll blackout.
  • Film Pairing: Ilford HP5+ @1600—grain dances with Zeiss’ clinical precision.
  • Zen Mantra: “The best camera is the one that makes you forget time.”

Epilogue: The Blue-and-White Whisper
Contax’s G2 scoffs at digital’s ephemeral glow, whispering: “True artistry lies in the seams where light hesitates.” Like a 竹简 (bamboo scroll), its beauty thrives in the tension between fragility and endurance—a tactile chronicle of moments etched not in code, but in silver. Now slip it into your bag and wander, not to conquer light, but to let it unravel like ink on rice paper. 📸

Lomography x-pro 200

lomography x-pro 200

Novel Aromas

In the decade when traditional film production declined and many companies went bankrupt in the late 20th and early 21st centuries, Lomography, a trendy form of photography, became immensely popular among young people worldwide. However, it was not until around 2012, when photography filters and a deluge of Lomo-style apps flooded the market for smartphones, that Lomography’s rampant growth was truly challenged.

Today, people can easily switch to various Lomo filters on their phones, without realizing that the exaggerated colors they admire actually come from Lomo film. Few people now seem to intentionally experiment with Lomo film, except for software engineers who need to simulate Lomo effects.

Warm Currents in the Air

What defines true Lomo photography? My conclusion is that at least one of the following must be present: a plastic camera body, expired film, or cross-processed slide film. Lomo cameras have cute plastic bodies that leak light and can use pinhole or plastic lenses to produce unexpectedly artistic effects. Expired color film can also create vintage or surreal colors, and some Lomo enthusiasts enjoy collecting various expired rolls. All slide film can actually be cross-processed, and this process yields an astonishing impact on contrast, grain, and colors, giving rise to a unique artistic effect.

Lomography X-Pro 200 is a slide film that can be processed as a color negative (C-41) film, producing true Lomo photography. The film’s name, X-Pro, indicates that cross-processing is required to achieve Lomo effects. The cross-processed X-Pro 200 yields a healthy skin tone, rich teal, aged indigo, rough grain, and countless other emotional sensations that defy description.

Perfect Artworks or Perfect Feelings

Sadly, Lomography X-Pro 200 is now difficult to find, and if it is discontinued, it will be a great loss for many Lomo enthusiasts who cherish this film.

Stock up on the Lomography X-Pro Slide 200 135 format slide film for whacked out colors, huge contrast and insane saturation.
Film Type:	attribute_value_Color Slide Film
ISO:	200
DX code	No:
Development:	attribute_value_Cross Processing - C-41, Regular Processing - E6
Exposures:	12
Pack Size:	3
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Contax g2 Planar 45mm f2 Black&White

Brand NameCONTAX
Filter Size46MM
Focus TypeAUTOFOCUS (CAMERA MOTOR)
Lens MountCONTAX G
Lens TypeSTANDARD / NORMAL
Max Focal Length45MM
Min Focal Length45MM

Kentmere 100 film from the UK

Kentmere 100 film has an average tolerance at best and can only be considered satisfactory. Choosing a film can be about selecting a particular style, and having all films be the same would be uninteresting. Street photographers reportedly appreciate the grain in this film.

When discussing black and white film, the development process is closely related. When I refer to the film’s tolerance and contrast, it’s based on my personal development habits and compared to other films.

While some people can use this film to create beautiful grayscale images through technical means, overall, Kentmere’s film has slightly high contrast, coarse grain, and a lower tolerance. Highlights are prone to overexposure, and shadows may be too dark. The contrast level is relatively high, and many people nowadays pursue a high-contrast effect, such as Daido Moriyama’s style.

Kentmere 100
35mm, ISO 100, medium contrast, black & white film. Suitable for most applications in good lighting conditions.

Medium speed ISO 100
Fine grain and good sharpness
Broad tonal range with good contrast
35mm cassettes and bulk lengths available
Continue reading Kentmere 100 film from the UK