Introduction: The X-Pro1 – A Love Letter to Analog Souls
Let’s get real: the Fuji X-Pro1 is the flannel shirt of cameras. It’s retro, it’s cozy, and it makes you look like you know what aperture means without actually having to explain it. But now Fuji’s waving the X-Pro3 in our faces like a shiny new toy. Should you upgrade? Spoiler: Probably not.
Sensor Showdown: “16MP vs. 26MP? Who Cares?”
X-Pro1: 16MP APS-C, no low-pass filter (because Fuji said, “Let’s make photos crispy”).
X-Pro3: 26MP APS-C, also no low-pass filter (because Fuji said, “Let’s make photos slightly crispier”).
Here’s the truth: unless you’re printing billboards of your cat’s whiskers, 16MP is plenty. The X-Pro1’s sensor is like a vintage vinyl record—flawed, charming, and way cooler than Spotify.
Pro Tip: If you’re upgrading for pixels, just zoom in on your existing photos and pretend.
High ISO? More Like “Why ISO?”
The X-Pro3 boasts better high-ISO performance. But let’s be honest: if you’re shooting in the dark with an X-Pro1 and the XF 35mm f/1.4, you’re already winning. This lens is so fast, it could outrun a toddler on sugar.
X-Pro1 at ISO 6400: Grainy, moody, artistic.
X-Pro3 at ISO 6400: Less grainy, slightly less moody, still not a night-vision goggles.
Continue reading Fuji X-Pro1 vs. X-Pro3: Why Upgrading Might Be as Useful as a Screen Door on a Submarine