When Leica introduced the M2 in 1958, it wasn’t just a camera – it was a manifesto. Designed as the “poor man’s M3,” it quietly became the ultimate storyteller’s tool. Journalists, soldiers, and street photographers embraced it not for its prestige, but for its raw utility. The genius of the M2? It embraced imperfection. No motor drives, no light meters, just a brass-and-glass vessel for stolen moments. As Garry Winogrand quipped: “Photography is about finding out what can happen in the frame.” The M2’s 0.72x viewfinder became the oracle of that frame.
Time is an amazing thing, isn’t it? It’s the invisible sculptor that quietly changes everything in the world in its own unique way. And nothing is more subtle and far-reaching than the changes in people’s hearts and the reshaping of aesthetics. Once upon a time, the Leica M3 was my absolute favorite. It was more than just a camera to me—it was a symbol of the pinnacle of photographic technology and the perfect camera that art seekers could only dream of. The classic body design, the smooth lines, and the iconic viewfinder all emphasized the unique charm and exquisite craftsmanship of the Leica brand, which I just loved! Over time, though, my perspective and state of mind have shifted a bit.
In recent years, I’ve noticed the Leica M2 popping up more and more in my field of vision. I’ve been really drawn to its unique minimalist aesthetics, and it’s slowly but surely become a more and more important part of my heart. The M2’s design language is inspired by the M3, but it’s stripped away a few things here and there, keeping the essential elements and removing any extra decorations. I just love this minimalist design style! It makes the M2 look so much lighter and more elegant, and it touches my deepest desire for purity and simplicity.
Let’s take a trip down memory lane! The Leica M3 made its grand entrance in 1954. It was a pivotal moment in Leica camera history and a true landmark in the annals of photography. Its advanced mechanical structure, precise metering system, and excellent image quality have won the hearts of countless photographers. Just three short years later, the Leica M2 was introduced as a simplified version of the M3. It was positioned as a more approachable model, but it showed its unique charm and advantages in certain aspects. It shows Leica’s deep understanding and love for photography in a really direct and pure way.
When I look at these two cameras again, I feel so many emotions! The Leica M3 will always have a special place in my heart. It represents a glorious past and endless memories.
Built-in 35mm Viewfinder Frame
The M2’s simple yet classic design is just the beginning of its charms. Its built-in 35mm viewfinder frame is a big part of why photography enthusiasts love it so much! The 35mm frame gives photographers a wider perspective, which is great for including more of the environment and story clues in your images. It’s also a great way to capture those fleeting moments of vividness! 35mm lenses have a unique perspective that can really inspire creativity. They’re also a great choice if you’re looking to include more of your surroundings in your images. In the wonderful world of photography, the combination of a Leica rangefinder camera and a 35mm lens is often praised as the “storyteller’s camera.” Together, they can tell a richer, more subtle, and more compelling story. So, as more and more people have fallen in love with 35mm lenses, it’s become clearer than ever that the M2’s viewfinder is one of its best features. It’s no wonder it’s held in such high regard!
From a distance, taking blurry pictures can be beautiful and emotional. From a distance, everything is beautiful.
Most photographers are rigorous in their pictures. While I appreciate rigor and seriousness, my own photography is not as strict. I forgive myself for sloppy composition, as it allows me to truly enjoy the art of photography.
Local photography is more about mindset than location.
When you lift your camera, you cease to be a local.
As a street photographer, I am frequently asked if I have visited the Grand Canyon or Nepal. Despite the assumption that I must travel extensively to capture my shots, I consider myself a local photographer. People are often confused by this term and wonder how I can take interesting photos without traveling far.
Perhaps they are overlooking the fact that flowers bloom in abundance both locally and abroad during the spring season. Spring is everywhere as long as it’s enjoyable. Wherever there is photography, there are moments. Now that is local photography.
If changing your style of photography is diligence, I’m more like laziness.
It is said that the key to street photography is not skill, but persistence. I don’t like to stick to one thing, but then again street photography never stops, photography for me is more like laziness that doesn’t want to change.
The cleaning car came slowly, and I felt the picture was clean and peaceful. So I filmed it. The driver inside saw me with a grin, and he should be laughing at what this fool is shooting?
Smile, smile makes the world warmer.
