Kodak Tri-X 400TX, the legendary black and white film, is included with the Leica 100th Anniversary Limited Edition M100 kit, which comprises of a Leica M-A and a Leica M Monochrom. Known as “the film that can be developed in water,” it is highly regarded in the photography industry and was favored by news reporters and Magnum photographers in the past. Its high dynamic range makes it especially useful for capturing candid and street photography, where there may not be time to adjust aperture and shutter speed.
While it has a wide dynamic range, it does not emphasize high and low lights, but rather has significant mid-tone contrast. This makes it suitable for both low and high contrast lenses. Although it may not be the sharpest film, it is still known for its sharpness.
One disadvantage of Kodak Tri-X 400TX is that its film base tends to curl, which makes it difficult to scan, especially with flatbed scanners like the Epson V series. However, the advantage of this curl is that the emulsion surface shrinks inward, reducing the risk of scratches and damage.
ISO 400 black and white film is a popular choice for capturing human subjects due to its high tolerance and larger grains. Kodak Tri-X 400 has gained a devoted following for its ability to handle push processing, allowing it to be used at ISO 800 or even pushed to ISO 3200. However, Kentmere 400, the film we are discussing today, is best used at its rated ISO 400 and should not be pushed beyond that. Its pricing reflects this recommendation.
Regarding Kentmere’s contrast, the film’s manufacturer remains a mystery, with some speculating it could be Ilford due to their shared UK base. Nonetheless, Ilford’s PAN 400 is considered to be of superior quality compared to Kentmere. Kentmere struggles with low-light situations and tends to produce deep blacks, leading to an overall high contrast look that can make images appear harsh, particularly when shooting with high contrast lenses or in high contrast scenes. Personally, I find it best to avoid using Kentmere in bright noon sunlight.
On the other hand, Kentmere 400 performs exceptionally well for indoor and subway portraits, creating a clean, bright look reminiscent of its white packaging. It appears to have a built-in half-stop yellow filter effect and also handles foggy weather with ease.
You will fall in love with his work just by looking at it
Looking at Frank Horvat’s work always gives one a relaxed and spontaneous feeling. Whether it is commercial work or street work, it exudes a spirit of euphoria and optimism. And this spirit is not built by relying on clean backgrounds and telling circumstances, but rather capturing a moment when the characters shine. He does not shoot surprisingly like other photographers, nor does he shoot seriously like some photographers, simply put, you will fall in love with his work at first glance.
I think it is difficult to introduce Frank Horvat in a sentence or two, or in an article, because he is a fashion photographer who is also very good in the field of street photography and is also famous for photographing club girls. Sometimes photographers don’t know how to be themselves.
Frank Horvat has taken a lot of black and white photos, but also a lot of color photos. But from his black and white photos I see more or “open”, no excessive sense of obstinacy, are naturally emitting a kind of optimistic calmness. This is perhaps the secret of his longevity. You can see that he was a very cheerful man.
I adore Leica cameras because they’re the perfect blend of so many things I love! They’ve not only won my heart with their gorgeous looks, but they’ve also impressed me with their amazing practicality and how easy they are to use. The Leica M6 is the perfect example of how easy these cameras are to use. It’s the ideal interpreter of this concept!
In the wonderful world of photography, every ray of light carries the soul of a story. The photographer is like a magician, capturing and framing those magical moments. However, not all photographers are willing to rely on the so-called “Sunshine Rule of 16” to guide their film shooting, as the vagaries of the natural world sometimes make this rule ineffective. We totally get it! This is where the built-in metering system of the Leica M6 really shines! It’s the perfect partner for photographers who want to capture the moment with confidence. The M6’s in-camera metering function is so accurate, it’s been time-tested and widely acclaimed by photographers. It’s one of the reasons why the M6 continues to be so popular!
For all you film photographers out there, we know how important it is to get the exposure right. It’s the key to success! The Leica M6’s metering system is super accurate and stable, which is great for photographers because it gives them a reliable exposure reference and helps them avoid having to reject photos because of exposure errors. This feature is a real godsend for photographers making the switch from digital to film! It gives photographers the peace of mind to face every shot with more confidence, without having to worry about exposure issues, and to focus more on capturing those fleeting moments of beauty.
I’ve always had a soft spot for the legendary Leica brand in my photography journey. I’ve been lucky enough to add the M3, M2, and CL to my collection, but I’m still on the hunt for more! The M3 was the first of the Leica rangefinder cameras and is still a favorite among photographers for its innovative design. The CL is another favorite, with its compact body and excellent performance. But when I saw the M6, I just knew it was the one I’d been looking for all along!
I bought the M6 not only because it’s one of the most iconic cameras in the Leica family, but also because it’s a true masterpiece. The Leica logo and the red dot on the M6 represent so much more than just the brand’s honor and legacy. They also symbolize my own deep desire and passion for the art of photography. I just love that red dot! It gives me so much power to capture those beautiful moments that fly by in the blink of an eye.
But my love for Leica didn’t stop there! After falling in love with the silver M6 TTL, I was even more drawn to the sleek and elegant black body of the M6 Classic. Black is so mysterious and noble, and it gives the M6 Classic a special, unique flavor. It lets me focus more on the image itself, which is really important to me.
My photographic journey has really taken off since I started using the M3, M2, M6 Classic, and M6 TTL. They’re not just my shooting tools, but also my emotional support and memory carrier. Whenever I pick up these cameras, I can feel the unique charm and ingenuity from Leica. I’m sure they’ll continue to accompany me through more landscapes and record more precious moments in the days to come!
Leica leica super angulon 21mm f/3.4 + kodak tri-x 400
Leica 21mm f/3.4 Super-Angulon M – Technical Information
Manufacturer: Schneider-Kreuznach – Leica Optics: 8 elements in 4 groups Aperture range: f/3.4 to f/22 Filter: M 48 X 0.75 Thread – or Series 7 (held in place by the hood) Maximum Outer Diameter: 52.5mm Weight: about 250g (black version, without caps) Lens code number: 11103 Lens hood code number: 12501 (12501M) Front lens cap code number: 14102 (A52.5) External viewfinder code number: 12002 Leather case for viewfinder code number: 14617
This lens is optimised for digital photography and has significantly reduced image field curvature in comparison to the previous model.
Used Leica Elmarit-M 28mm F2.8 ASPH Lens (11677) W/ Box, Case, and Lens hood, and all caps.
