It’s hard to believe, but two years ago, everyone wore a mask! Now, many people have gotten into the habit of wearing masks, and of course, more people don’t wear masks anymore. Sometimes, what happened two years ago seems like two days ago. Time really does fly!
The Leica M8’s Love Affair with the CCD Camera.
When you decide to give up the ccd camera, perhaps unexpectedly, the ccd camera will also quietly leave you. I, on the other hand, am deeply grateful to be able to use the Leica M8 with the Elmarit 21mm f2.8 E60 to take tons of wonderful ccd photos. I can’t wait to tell you that this lens is without a doubt the perfect partner for the Leica M8.
The excellence of the Leica m8.
I firmly believe that the Leica m8 is an exceptional camera. In these challenging times of full-frame ccd technology, Leica’s aps-h format for the m8 shows significant advantages over the aps-c format of common DSLRs. Admittedly, not being full-frame, the camera loses some of the lens’s field of view in use, but the APS-H’s 1.33 equivalent conversion makes a 21 mm lens equivalent to 28 mm and manages to capture the best image quality areas of a 21 mm lens. As a result, film shot with the Leica M8 has a very high degree of sharpness.
The lens is a wonderful match for the m8.
When this lens is combined with the m8, the results are extremely impressive. Not only are the colors vibrant, but the sharpness is excellent. I am in love with its colors, which in my opinion are even more captivating than the Leica Elmarit 21mm asph version .
How the lens performs on the M8 vs. M9.
Half of the time this lens was mounted and used on the m9, the other half of the time it was mounted on the m8. I was actually more impressed with the color performance on the M8. Although it’s hard for me to say exactly why, it always seemed to me that the m8’s ccd was able to show its color appeal more fully.
Street photography is like a solo trip, in this field some people recognize the 35mm lens, while others prefer the 28mm lens. I, on the other hand, don’t get hung up on which lens to use. I have always believed that photographers should be willing to experiment. In fact, this 21mm lens with the Leica M8 is my favorite combination. I love it even more than the 28mm lens on the m9, even though they have the same field of view.
The Voigtlander 15mm lens has an angle of view of approximately 110° on a full frame camera, but the Leica M8 is an APS-H format (sensor size approximately 27.0 x 18.0mm), in which case the angle of view of the 15mm lens will be slightly less than the full frame 110°.
The Leica M8 sensor has a diagonal length of approx. 32.5 mm, which corresponds to an angle of view of approx. 83°.
Formula for calculating the angle of view.
The formula for calculating the angle of view is: θ = 2 arctan(d / (2f))
In this formula:
θ represents the angle of view.
d stands for the diagonal length of the sensor.
f is the focal length of the lens.
Nowadays, it seems that what people lack is not photographic equipment but the comfort of walking alone. I want nothing more than to carry my camera under the sun and enjoy the mere sound of the shutter. With the Leica M8 in my hands and the Voigtlander 15mm F4.5 Super Wide – Heliar lens, it was a beautiful day.
When my heart is ignited by the magnificence captured by a wide angle lens, the passion is like a holy fire that drives me to share – to pour out the vastness of the world and the delicate emotions under the lens to anyone who wants to witness this extraordinary perspective.
In all my years of photography, the Voigtlander 15mm/f4.5 Ultra Wide-Angle Lens is undoubtedly one of the most striking lenses I’ve encountered. It’s reputation has been so well established in the photographic world for so long that Voigtlander has now developed it into its third generation. However, the most charismatic in my mind has always been the small and exquisite first generation L39 mount lens.
The small size of this lens perfectly illustrates the spirit of Leica. It is lightweight and easy to carry, and can be easily converted to M-mount with a simple 1mm adapter ring, making it a perfect fit for my Leica camera. What’s even more surprising is that this first-generation lens also comes with a dedicated 15mm viewfinder, a thoughtful design that was not continued in subsequent products, which I appreciate.
In actual use, the image quality of this lens is impressive. The center is extremely sharp, capturing fine and crisp details. The color performance is very rich, producing a full and layered color effect. This made it easy for me to capture every vibrant moment while shooting.
However, this lens is not without its challenges. Because it is an ultra-wide angle lens, you have to pay more attention to composition and camera angle when shooting. Especially when using the Leica M3 camera, I have to rely more on my own feeling and experience to estimate the shooting distance, as there is no linkage rangefinder structure. This is a real challenge for me, but it also makes me more focused and attentive during the shooting process.
With this lens mounted on the Leica M8, this lens has an equivalent focal length of about 20mm, which is still moderate enough for me to get used to. However, when placed on the M3, it transforms into a true 15mm ultra-wide angle, and the stunning field of view was a bit too much for my heart to handle. The visual impact of this ultra-wide angle makes me passionate and expectant when shooting.
However, I also realized that the 15mm focal length may not be suitable for street photographers like me. In street photography, if the characters are too close, it is easy to appear “big head” effect; while if the distance is too far, the characters will appear too small. In addition, due to the characteristics of the ultra-wide-angle lens, the shooting of the characters will be stretched out of shape. This made it a bit difficult for me to shoot on the street, so I decided to keep it more company with the M8 and turn it into a 20mm lens for use until I could find a better way to use it.
That said, I still think the 15mm/f4.5 lens from Voigtlander is a worthy lens. Its ultra-wide focal length may not be for everyone, but there’s no chance it’ll suit your shooting style. If you really like it, you’re getting a real bargain because not only is it small, portable and affordable, it also offers such a wide angle of view. The lens is also highly traded on the second-hand market, which means you don’t have to worry about buying or selling it. Whether you want to get in or get out, it’s easy to find the right deal.
The journey of using this lens is like a drama on the stage of life, intertwining challenge and joy, frustration and fulfillment. The moments that seem impossible to capture perfectly have become the goals that I constantly pursue; and the meandering horizons under the lens are precisely the paths that I am eager to explore in my heart. Every time I put the camera down and take a break, not only to catch my breath, but also for the new round of longing for the unknown beauty in my heart, I am ready to set out again, using this 15mm (20mm leica m8) wide angle to continue to capture every moving moment of life.
When it comes to my Leica T Type 701, it’s not just a camera, it’s a love affair that was sparked by Leica’s long and fascinating advertisement. The ad spent a long time polishing the camera’s body, which made it a bit boring, but it made people feel that it must have a unique touch, so they were filled with endless curiosity and desire. It was this strong interest inspired by the advert that finally convinced me to get my hands on this Leica T Type 701.
However, when I actually got it and started using it, I found that the image quality was only moderate and not as stunning as I had initially expected. But that didn’t disappoint me, because I didn’t buy this camera just for the extreme image quality. I was actually more interested in its unique design and the Leica brand experience.
The LEICA T TYPE 701 looks amazing. The lines are smooth, the shape is simple but elegant, and every detail shows the designer’s ingenuity. When I see it lying there, I can’t help but look at it a few more times, and I feel a real sense of joy.
So I don’t use it much for photography. I mostly just put it on display at home as a decorative piece, which adds a bit of artistic flair to my space. When friends come over and see it, they’re always impressed and some even think it’s a valuable piece of art.
With the Leica Elmarit-M 28mm f2.8 ASPH lens in my hands, I never thought about changing anyone. It is like the sun that hangs high in the sky, quietly radiating light and warmth without seeking a response or asking for a return date. Everyone’s reaction to capturing the world through this lens is different; some marvel at its clarity and sharpness, some are mesmerized by its splashes of color, while others feel alienated by its unique perspective and choose to keep their distance.
It’s like a seed that silently builds up its strength before breaking through the ground, with no sign that it’s about to bloom, because that’s its own rhythm and it’s not yet at the right time. It is the same with my Leica 28mm lens, which is not in a hurry to show all its charms, but with each soft click of the shutter it gradually takes root in my heart, until one day I find myself deeply addicted to the world of images it creates.
I realized that whether it was photography or life, the real savior was always myself. This lens, however, helped me open a window to a better world, so that I could learn to feel everything around me with a more delicate and sensitive heart. It teaches me that there is no need to force myself, but to shine quietly like the sun, allowing each soul to receive this unique light and warmth according to its own rhythm.
Therefore, I am grateful for my Leica Elmarit-M 28mm f2.8 ASPH lens, which is not only a tool for capturing images, but also a partner in exploring myself and realizing life. During this journey, I have come to realize that true beauty is not in changing others, but in reconciling with yourself, discovering and cherishing those unique moments that belong only to you.
First, let’s talk about its first impression – it’s compact and lightweight. In this day and age when you can’t leave home without your cell phone, the weight and size of a lens is an important factor in my choice. This Elmarit-M lens is just “portable”. Whether you hang it around your neck or stuff it in your pocket, there is no pressure. Traveling, daily street photography, it is my best partner to enjoy the fun of photography without being weighed down by heavy equipment.
Let’s talk about its appearance. That classic Leica design, simple but not lose style, metal texture of the mirror body, in the sunlight with a charming sheen. Just attaching it to the camera before each shot is a pleasure. It is so well proportioned with the Leica M camera that it can be the golden ratio.
Of course, the most important thing about a lens is its image quality, and the Elmarit-M 28mm f2.8 ASPH certainly didn’t disappoint. Clear and sharp is the first impression it gave me. Whether it’s wide-angle landscapes or portrait close-ups, it handles them all with ease, retaining just the right amount of detail to give you that “knife-edge” clarity right off the bat. Color performance is also excellent, with high saturation without distortion and natural color transitions that make photos look more vibrant and layered.
What surprised me the most was the bokeh effect when shooting outdoors. It’s almost like being smeared with cream, soft and sweet without losing the sense of layering. Every time I see those photos with dreamy background bokeh, I can’t help but silently give this lens a shout-out in my heart. It allows me to easily capture those fleeting human moments while shooting landscapes and capturing every beautiful moment in life.
Under the gaze of this lens, I captured an unspoken story, silent and deep, like a word never uttered, hidden in the softest corners of my heart; I witnessed a ray of light that did not shine directly, that pierced the clouds and gently sprinkled in every corner, but left no traces, like some of the warmth of life, silent; I recorded a unique chaos, which in its disorder I recorded a unique chaos, which in its disorder contains order, and a miracle hidden in the mundane, is the truest representation of life, incomparable; I also walked on a street that seems to have no end, and every frame in the camera is a new beginning and an eternal continuation, leading me to keep exploring and moving forward, searching for my own answer and destination in this journey of light and shadow intertwined.
Some people see street photography as a series of decisive moments. But when I’m out shooting, I realise I have no control over when and where my images will appear. I can’t predict which corner is going to pop up, and I can’t arrange for a moment to happen just right. In such a situation, I just have to choose the right camera, lens and exposure. The rest is down to luck.
I really like the look of grain in photos, especially in black and white. I like coffee in water, too. From analog film to digital, they’re my old friends.
